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Sacred Music Drama
“The indelible imprint of sacred music drama throughout history is undeniable . . . and its resurgence in the twentieth and twentieth-first centuries stirs the curiosity.” Carl Gerbrandt, in pursuing these issues, has brought to our fingertips a stimulating historical perspective on sacred music drama as well as an extensively annotated list of repertoire. Years of research have gone into providing information on centuries of sacred music dramas/operas which for the most part have been known to very few. Included in these pages of his Second Edition are over 330 sacred music dramas/operas, each with scholarly and practical information that will be of interest and great value to the opera...
Newsletter
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A Womanist Reading of Hebrew Bible Narratives as the Politics of Belonging from an Outsider Within
The U.S. Declaration of Independence of 1776 decreed that all men were created equal and were endowed by their Creator with “certain unalienable Rights.” Yet, U.S.-born free and enslaved Black people were not recognized as citizens with “equal protections under the law” until the passage of the Fourteenth Amendment. Even then, White supremacists impeded the equal rights of Black people as citizens due to their beliefs in the inferiority of Black people and that America was a nation for White people. White supremacists turned to biblical passages to lend divine justification for their views. A Womanist Reading of Hebrew Bible Narratives as the Politics of Belonging from an Outsider Wi...
The Cambridge Companion to Literature and Religion
Each essay in this Companion examines literary texts and a particular religious tradition to better understand both literature and religion.
Education Directory
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Education Directory
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The Ben Horch Story
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