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An increasingly popular genre – addressing issues of empire, colonialism, post-colonialism, globalization, gender and politics – travel writing offers the reader a movement between the familiar and the unknown. In this volume, Carl Thompson: introduces the genre, outlining competing definitions and key debates provides a broad historical survey from the medieval period to the present day explores the autobiographical dimensions of the form looks at both men and women’s travel writing, surveying a range of canonical and more marginal works, drawn from both the colonial and postcolonial era utilises both British and American travelogues to consider the genre's role in shaping the history of both nations. Concise and practical, Travel Writing is the ideal introduction for those new to the subject, as well as a crucial overview of current debates in the field.
Thompson explores the romance that can attach to the notion of suffering in travel, and the importance of the persona of 'suffering traveller' for Romantic writers and travellers. He considers how and why the Romantics typically chose to imitate the hapless protagonists of these accounts.
Thompson explores the romance that can attach to the notion of suffering in travel, and the importance of the persona of 'suffering traveller' for Romantic writers and travellers. He considers how and why the Romantics typically chose to imitate the hapless protagonists of these accounts
As many places around the world confront issues of globalization, migration and postcoloniality, travel writing has become a serious genre of study, reflecting some of the greatest concerns of our time. Encompassing forms as diverse as field journals, investigative reports, guidebooks, memoirs, comic sketches and lyrical reveries; travel writing is now a crucial focus for discussion across many subjects within the humanities and social sciences. An ideal starting point for beginners, but also offering new perspectives for those familiar with the field, The Routledge Companion to Travel Writing examines: Key debates within the field, including postcolonial studies, gender, sexuality and visua...
Tales of shipwreck have always fascinated audiences, and as a result there is a rich literature of suffering at sea, and an equally rich tradition of visual art depicting this theme. Exploring the shifting semiotics and symbolism of shipwreck, the interdisciplinary essays in this volume provide a history of a major literary and artistic motif as they consider how depictions have varied over time, and across genres and cultures. Simultaneously, they explore the imaginative potential of shipwreck as they consider the many meanings that have historically attached to maritime disaster and suffering at sea. Spanning both popular and high culture, and addressing a range of political, spiritual, aesthetic and environmental concerns, this cross-cultural, comparative study sheds new light on changing attitudes to the sea, especially in the West. In particular, it foregrounds the role played by the maritime in the emergence of Western modernity, and so will appeal not only to those interested in literature and art, but also to scholars in history, geography, international relations, and postcolonial studies.
Continuing the series on Women's Travel Writings, this two-part collection presents some fascinating tales of North Africa and the Middle East. Part I includes three separate volumes that include the writings of Volume 1: Sarah Wilson, The Fruits of Enterprise Exhibited in the Travels of Belzoni in Egypt and Nubia (1825); Volume 2 Barbara Hofland, The Young Pilgrim, or Alfred Campbell's Return to the East and his Travels in Egypt, Nubia, Asia Minor, Arabia Petraea &c (1826); and Volume 3: 'Miss Tully', Narrative of a Ten Years' Residence at Tripoli in Africa (1816).
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