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The letters of Charles and Bessie Ewing provide eyewitness accounts of the social upheaval and warfare that shook turn-of-the-century China. In addition to discussing their missionary activities in the villages of North China and their struggle to master the Chinese Mandarin dialect, the Ewings describe the impact of Western culture upon the social structure of Imperial China as they lived it. Ruoff sets the larger scene about which the Ewings wrote: The Sino-Japanese war, the extraterritorial treaties, the Boxer Uprising, the foreign military interventions, the belated effort to modernize by the Manchu dynasty, the struggle against opium addiction, the student political movement, and the be...
In 1900 in China a peasant movement known as the Boxers rose up and tried to destroy its Western oppressors. The culminating event of the Boxer Rebellion was the siege of the Western legations in Peking. In isolated Peking, a horde of brightly dressed, acrobatic, anti-Western and anti-Christian Boxers surrounded the fortified diplomatic legation compound, and rumors about the torture and murder of 900 Western diplomats, soldiers, and missionaries swirled throughout the foreign media. Scholars agree that animosity toward Christian missionaries was a major cause of the Boxer Rebellion, but most accounts neglect the missionaries and emphasize instead the diplomats and soldiers who weathered the siege and defeated the Chinese in battle. This book gives equivalent attention to the missionaries, their work, the impact they had on China, and the controversies arising in the aftermath of the Boxer Rebellion. It focuses particularly on one of the most distinguished American missionaries, William Scott Ament, whose brave and resourceful heroism was tarnished by hubris and looting.
Frans Floris de Vriendt radically transformed Netherlandish art. His monumental mythologies introduced a new appreciation for the heroic nude to the Low Countries and his religious art challenged standards of decorum. Born into a family of sculptors and architects, Floris refashioned his art through travel, first studying with the humanist painter Lambert Lombard in Liège and then continuing on to Italy. These experiences defined the hybridizing novelty of his art, forged by juxtaposing antique and modern, Italian and northern sources. This book maps Floris’s hybrid style onto shifting conceptions of cultural, religious, and political identity on the eve of the Dutch Revolt. It explores his collaborations and rivalries, engagement with artistic theory, hierarchical workshop, and revolutionary use of print.
Quarterly accession lists; beginning with Apr. 1893, the bulletin is limited to "subject lists, special bibliographies, and reprints or facsimiles of original documents, prints and manuscripts in the Library," the accessions being recorded in a separate classified list, Jan.-Apr. 1893, a weekly bulletin Apr. 1893-Apr. 1894, as well as a classified list of later accessions in the last number published of the bulletin itself (Jan. 1896)
The first study devoted to classical art’s vital creative impact on the work of the Flemish painter Peter Paul Rubens. For the great Peter Paul Rubens (1577–1640), the classical past afforded lifelong creative stimulus and the camaraderie of humanist friends. A formidable scholar, Rubens ingeniously transmitted the physical ideals of ancient sculptors, visualized the spectacle of imperial occasions, rendered the intricacies of mythological tales, and delineated the character of gods and heroes in his drawings, paintings, and designs for tapestries. His passion for antiquity profoundly informed every aspect of his art and life. Including 170 color illustrations, this volume addresses t...
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First published in 1996. Now updated with a new information-packed 40-page Supplement covering the years 1990-1995, this unique Encyclopedia highlights the World of King Arthur from its origins in Dark Age Britain to the present day, when Arthurian novels, films, and music continue to appear around the world at an astonishing rate. The Supplement, which provides five full years of coverage not available anywhere else, enhances the usefulness of more than 1,300 entries on all aspects of the Arthurian legend-in literature, history, folklore, archaeology, art, and music. Written by an international team of over 130 authorities, no other work approaches this A-Z guide to the legends of King Arthur and his knights of the Round Table for breadth and depth of coverage. This is the ultimate source for reliable information on topics as diverse as the Grail, Tristan and Isolde, Lancelot and Guenevere, Arthurian operas, the historicity of Arthur, and more.
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Pieter Coecke van Aelst (1502 – 1550) was renowned throughout Renaissance Europe as a draftsman, painter, and publisher of architectural treatises. The magnificent tapestries he designed were acquired by the wealthiest clients of the day, up to and including rulers such as Emperor Charles V, King Francis I of France, King Henry VIII of England, and Grand Duke Cosimo I de’ Medici of Tuscany. At the same time, Coecke was remarkable not only for the complexity and unparalleled quality of his tapestries, but also for his fluency in various media: this lavishly illustrated volume examines the full range of his work, from tapestry and stained-glass window designs to panel paintings, prints, dr...