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The Notion of Turning in Metaphysical Poetry
In "Metaphysical Poetry", there is an emphasis on religious experience, which often touches on diverse kinds of turning. Among them are religious conversion (a turn to God), spatial movement (turning in space), divine transformation (turning from one kind into another), musical tuning (turning as a requisite for harmony) and circular turning. Moreover, there is a strong link between turning and its realisation through the language of the poems. Focusing on John Donne and George Herbert, this study explores various aspects of turning, as well as their interrelation. Dissertation. (Series: Religion and Literature / Religion und Literatur, Vol. 7) [Subject: Poetry]
Crossing Boundaries in Early Modern England
Between 1500 and 1700, eight very different English translations of Kempis's Imitatio were published in about 70 editions, crossing boundaries of language, confessional affiliation, and literary genre. This study explores the ways in which biblicism and inwardness, so typical of the Latin original work, are subject to creative transformations by the English translators. Thus, the translations reflect and even influence more general tendencies in the wider corpus of early modern English literature, for example in the works of George Herbert, John Bunyan, and early English Bible translations. Florian Kubsch worked as a researcher at the Department of English at the Eberhard Karls Universitaet Tuebingen, Germany.
Ambiguities of War: A Narratological Commentary on Silius Italicus’ Battle of Ticinus (Sil. 4.1-479)
This Narratological Commentary on Silius’ Battle of Ticinus lays bare the narrative form of the text by addressing numerous narratological aspects, including plot-development, focalization, space, and intertextuality. The book also focuses on the phenomenon of ambiguity with its dynamic processes of (un-)strategic production, perception, and resolution. Ambiguity is a central feature of the Punica because of the epic’s constant oscillation between fact and fiction: it treats the changing fortunes of war and the tension between Rome and Carthage, which Silius translates into a moment of poetical equilibrium by his paradoxical problematization of triumph in defeat and defeat through triumph.
Strategies of Ambiguity
There has been a growing awareness that ambiguity is not just a necessary evil of the language system resulting, for instance, from its need for economy or, by contrast, a blessing that allows writers to involve readers in endless games of assigning meaning to a literary text. The present volume contributes to overcoming this alternative by focusing on strategies of ambiguity (and the strategic avoidance of ambiguity) both at the production and the reception end of communication. The authors examine ways in which speakers and hearers may use ambiguous words, structures, references, and situations to pursue communicative ends. For example, the question is asked what it actually means when a l...
Co-Creative Communication in George Herbert and John Donne
This study examines the co-creative relationship between speakers, hearers, and God in poetry and prose by George Herbert and John Donne. Through analyses of communicative situations, communicative interactions, and reflections on communication, models of communication are established that underlie the texts selected. In particular, the activity of hearing is shown to be considered essential to the constitution of a meaningful utterance. In this way, a key function of communication becomes apparent: it can yield a range of creative products - from the conversation itself to a literary artefact and its extratextual effects. This study thus offers a new reading of the texts of George Herbert and John Donne, and provides a clear perspective on how early modern religious texts regarded communication and co-creativity as connected concepts.
Linguistics Meets Literature
Until recently, collaborative efforts between formal linguistics and literary studies have been relatively sparse; this book is an attempt to bridge this gap and add to the hitherto small pool of studies that combine the two disciplines. Our study concentrates on Emily Dickinson’s poetry, since it displays a highly uncommon and therefore challenging use of language. We argue this to be part of her poetic strategy and consider Dickinson an intuitive linguist: her apparent non-compliance with linguistic rules is a productive exploration of linguistic expression to reveal the flexibility and potential of grammar, leading to complex processes of interpretation. Our study includes a number of i...
Ambiguity
This edited volume investigates the concept of ambiguity and how it manifests itself in language and communication from a new perspective. The main goal is to uncover a great mystery: why can we communicate effectively despite the fact that ambiguity is pervasive in the language that we use? And conversely, how do speakers and hearers use ambiguity and vagueness to achieve a specific goal? Comprehensive answers to these questions are provided from different fields which focus on the study of language, in particular, linguistics, literary criticism, rhetoric, psycholinguistics, theology, media studies and law. By bringing together these different disciplines, the book documents a radical chan...
Inspiration and Utmost Art: The Poetics of Early Modern English Psalm Translations
This study is concerned with Early Modern English psalm translations. It focusses on the connection between inspiration and formal perfection as it appears in George Wither's "A Preparation to the Psalter", Philip Sidney's "The Defence of Poesy", "The Sidney Psalter" and "The Bay Psalm Book". Taking into account theological, philosophical, and literary contexts of the time, it reveals the struggle to find a suitable language in praise of God as a main concern of Early Modern religious writers, and presents concepts which are highly relevant for the religious poetry of the time. Dissertation. (Series: Religion and Literature / Religion und Literatur, Vol. 5) [Subject: Religious Studies]
Contrasting English and German Grammar
This book offers an introduction to the derivation of meaning that is accessible and worked out to facilite an understanding of key issues in compositional semantics. The syntactic background offered is generative, the major semantic tool used is set theory. These tools are applied step-by-step to develop essential interface topics and a selection of prominent contrastive topics with material from English and German.
