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This handbook celebrates the abundantly productive interaction of neuropsychology and medicine. This interaction can be found in both clinical settings and research l- oratories, often between research teams and clinical practitioners. It accounts for the rapidity with which awareness and understanding of the neuropsychological com- nents of many common medical disorders have recently advanced. The introduction of neuropsychology into practice and research involving conditions without obvious neurological components follows older and eminently successful models of integrated care and treatment of the classical brain disorders. In the last 50 years, with the growing understanding of neurologi...
Manet, a founding father of modernism, is one of the towering figures of 19th-century art. In this volume, Carol Armstrong looks closely at Manet's works to uncover a view not only of the artist but also of modernity itself. As she places his art within frameworks of colour, the feminine Other (the Manette in Manet), and consumerism, Armstrong seeks to expand and revise our understanding of this artist as a painter of modern life.
Edited by a leading expert, this book delineates the successful means to prevent, identify, and manage the effects of CO poisoning. It provides new information on CO toxicity, including rehabilitation, the dissemination of information to the public, litigation involving CO poisoning, economic loss assessment, and firefighting. The book addresses the pros and cons of hyperbaric oxygen therapy and thoroughly reviews the physiological effects of acute and long term exposure to CO, as well as the neurocognitive and neurobehavioral sequelae. The only comprehensive reference on the subject, this multi-faceted guide takes an innovative look at how to identify, treat, and prevent harmful exposure to carbon monoxide.
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Artists, art historians, and critics look at the legacies of feminism and critical theory in the work of women artists, more than thirty years after the beginning of the modern women's movement and Linda Nochlin's landmark essay "Why Have There Been No Great Women Artists?" More than thirty years after the birth of the modern women's movement and the beginnings of feminist art-making and art history, the time is ripe to examine the legacies of those revolutions. In Women Artists at the Millennium, artists, art historians, and critics examine the differences that feminist art practice and critical theory have made in late twentieth-century art and the discourses surrounding it. In 1971, when ...
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Includes Abstracts section, previously issued separately.