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Charity and Social Welfare
How churches in Northern Europe reinvented their role as providers of social relief Charity is a word that fits well in the history of religion and churches, whereas the concept of social reform seems to belong more to the vocabulary of the modern welfare states. Christian charity found itself, during the long nineteenth century, within the maelstrom of social turmoil. In this context of social unrest, although charity managed to confirm its relevance, it was also subjected to fierce criticism, as well as to substitute state-run forms of social care and insurance. The history of the welfare states remained all too blind to religion. This fourth volume in the series ‘Dynamics of Religious R...
Weimar Surfaces
Germany of the 1920s offers a stunning moment in modernity, a time when surface values first became determinants of taste, activity, and occupation: modernity was still modern, spectacle was still spectacular. Janet Ward's luminous study revisits Weimar Germany via the lens of metropolitan visual culture, analyzing the power that 1920s Germany holds for today's visual codes of consumerism.
Being (the Church) Beyond the South-North-divide
This book testifies to the fact that the embodiment of ideas of partnership can occur in many ways. Contributors from South Africa and Germany engage in a search for identities in othernesses and for common ground beyond the divide. Seventeen contributions address a variety of partnership-related issues, ranging from ecumenical hermeneutical foundations to practical applications. Andrea Frchtling is teacher in Celle, Germany. Ndanganeni Phaswana is a bishop in the Evangelical Lutheran Church in Southern Africa-Central Diocese.
Imagining the Unimaginable
World War I had a profound influence on the aesthetics and politics of Russian culture, perhaps even more than the revolution. Looking at how the war changed Russian culture, especially visual art, Cohen shows how the wartime environment allowed iconoclastic modern art to flourish.
Capturing the German Eye
Shedding new light on the American campaign to democratize Western Germany after World War II, Capturing the German Eye uncovers the importance of cultural policy and visual propaganda to the U.S. occupation. Cora Sol Goldstein skillfully evokes Germany’s political climate between 1945 and 1949, adding an unexpected dimension to the confrontation between the United States and the USSR. During this period, the American occupiers actively vied with their Soviet counterparts for control of Germany’s visual culture, deploying film, photography, and the fine arts while censoring images that contradicted their political messages. Goldstein reveals how this U.S. cultural policy in Germany was shaped by three major factors: competition with the USSR, fear of alienating German citizens, and American domestic politics. Explaining how the Americans used images to discredit the Nazis and, later, the Communists, she illuminates the instrumental role of visual culture in the struggle to capture German hearts and minds at the advent of the cold war.
"Conservative Revolutionaries"
During the forty years of division, the Protestant and Catholic churches in Germany were the only organizations to retain strong ties and organizational structures: they embodied continuity in a country marked by discontinuity. As such, the churches were both expected to undergo smooth and rapid institutional consolidation and undertake an active role in the public realm of the new eastern German states in the 1990s. Yet critical voices were heard over the West German system of church-state relations and the public role it confers on religious organizations, and critics often expressed the idea that despite all their difficulties, something precious was lost in the collapse of the German democratic republic. Against this backdrop, the author delineates the conflicting conceptions of the Protestant and Catholic churches' public role and pays special attention to the East German model, or what is generally termed the "positive experiences of the GDR and the Wende."
Between Cross and Class
In the late nineteenth century in a number of continental European countries Christian associations of workers arose: Christian trade unions, workers' cooperatives, political leagues, workers' youth movements and cultural associations, sometimes separately for men and women. In some countries they formed a unified Christian labour movement, which sometimes also belonged to a broader Christian subculture or pillar, encompassing all social classes. In traditional labour history Christian workers' organizations were solely represented as dividing the working class and weakening the class struggle. However, from the 1980s onwards a considerable amount of studies have been devoted to Christian wo...
The Spirit of 1914
This book, first published in 2000, is a systematic analysis of German public opinion at the outbreak of the Great War and the first treatment of the myth of the 'spirit of 1914', which stated that in August 1914 all Germans felt 'war enthusiasm' and that this enthusiasm constituted a critical moment in which German society was transformed. Jeffrey Verhey's powerful study demonstrates that the myth was historically inaccurate. Although intellectuals and much of the upper class were enthusiastic, the emotions and opinions of most of the population were far more complex and contradictory. The book further examines the development of the myth in newspapers, politics and propaganda, and the propagation and appropriation of this myth after the war. His innovative analysis sheds light on German experience of the Great War and on the role of political myths in modern German political culture.
Structures of Memory
Structures of Memory turns to the landscape of contemporary Berlin, particularly places marked by the presence of the Nazi regime, in order to understand how some places of great cruelty or great heroism are forgotten by all but eyewitnesses, while others become the site of public ceremonies, museums, or commemorative monuments.
Reworking the German Past
Coming to terms with the past has been a preoccupation within German culture and German Studies since the Second World War. In addition, there has been a surge of interest in adaptation of literary works in recent years. Numerous volumes have theorized, chronicled, or analyzed adaptations from novel to film, asking how and why adaptations are undertaken and what happens when a text is adapted in a particular historical context. With its focus on adaptation of twentieth-century German texts not only from one medium to another but also from one cultural moment to another, the present collection resides at the intersection of these two areas of inquiry. The ten essays treat a variety of media. ...
