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Visualizing Research
Visualizing Research guides postgraduate students in art and design through the development and implementation of a research project, using the metaphor of a 'journey of exploration'. For use with a formal programme of study, from masters to doctoral level, the book derives from the creative relationship between research, practice and teaching in art and design. It extends generic research processes into practice-based approaches more relevant to artists and designers, introducing wherever possible visual, interactive and collaborative methods. The Introduction and Chapter 1 'Planning the Journey' define the concept and value of 'practice-based' formal research, tracking the debate around it...
A Pilgrimage to Death
"Vivid, alluring, and heart-wrenching, A Pilgrimage to Death is every reason I love mystery. A breathtaking tale." ~ Darynda Jones, NY Times Bestselling Author Cici discovers a body in the forest. The victim’s wounds are identical to the ones that killed her sister a year ago... Someone murdered her sister. And shot her dog. The killer won't stop until Cici's dead, too. With her identical twin sister haunting her dreams, Cici and her dogs must dodge arrows, bullets, and even a demon truck. Worse, she must grapple with the knowledge her twin's death was much more sinister than a random act of violence. The chase is on. As Cici and Detective Sam Chastain edge closer to the truth, the murderer circles closer. This time, the criminal plots to stop Cici. Permanently. Additional Praise for A Pilgrimage to Death: "A wholly absorbing gumshoe tale elevated by an extraordinary detective." ~ Kirkus Reviews (starred review) "This winning mystery novel is a breeze to read and Cici's laidback approach as a reverend means that readers certainly don't have to be religious to find her relatable." ~ IndieReader
British Horror Cinema
British Horror Cinema investigates a wealth of horror filmmaking in Britain, from early chillers like The Ghoul and Dark Eyes of London to acknowledged classics such as Peeping Tom and The Wicker Man. Contributors explore the contexts in which British horror films have been censored and classified, judged by their critics and consumed by their fans. Uncovering neglected modern classics like Deathline, and addressing issues such as the representation of family and women, they consider the Britishness of British horror and examine sub-genres such as the psycho-thriller and witchcraftmovies, the work of the Amicus studio, and key filmmakers including Peter Walker. Chapters include: the 'Psycho Thriller' the British censors and horror cinema femininity and horror film fandom witchcraft and the occult in British horror Horrific films and 1930s British Cinema Peter Walker and Gothic revisionism. Also featuring a comprehensive filmography and interviews with key directors Clive Barker and Doug Bradley, this is one resource film studies students should not be without.
"Twice the Thrills! Twice the Chills!"
In the mid-1950s, to combat declining theater attendance, film distributors began releasing pre-packaged genre double-bills--including many horror and science fiction double features. Though many of these films were low-budget and low-end, others, such as Invasion of the Body Snatchers, Horror of Dracula and The Fly, became bona fide classics. Beginning with Universal-International's 1955 pairing of Revenge of the Creature and Cult of the Cobra, 147 officially sanctioned horror and sci-fi double-bills were released over a 20-year period. This book presents these double features year-by-year, and includes production details, historical notes, and critical commentary for each film.
Taken Identity
If someone steals your identity and marries a sex god and that sex god husband shows up at your door...do you get to keep him? Jules has no memory of marrying a sex god—and no woman is that forgetful. So when the devastatingly handsome Gray turned up on her doorstep looking for his wife and calling said wife by Jules’ name, Jules wondered briefly if she’d landed in an alternative universe. She knows she’s not his wife and so does he, but apparently someone with her name and history is. Is it a case of coincidence or did his missing wife ‘borrow’ Jules’ life? Even though the dominant Gray sends her knickers aflame with just one look, with a missing wife in the equation, Jules knows there’s no chance of finding out what else he could achieve. There’s only one thing to do—unravel the mystery and try to keep their hands off each other in the meantime. The first may well prove far easier than the latter.
Uneasy Dreams
There has been a tremendous amount of renewed interest in the output of Britain's Hammer Films. But there remain a great number of worthwhile British horror films, made at the same time by other companies, that have received little attention. The author provides a comprehensive listing of British horror films--including science fiction, fantasy, and suspense films containing horror-genre elements--that were released between 1956 and 1976, the "Golden Age" of British horror. Entries are listed alphabetically by original British title, from Vincent Price in The Abominable Dr. Phibes (1971) to Zeta One (1969). Entries also include American title, release information, a critique of the film, and the film's video availability. The book is filled with photographs and contains interviews with four key figures: Max J. Rosenberg, cofounder of Amicus Productions, one of the period's major studios; Louis M. Heyward, former writer, film executive and producer; Aida Young, film and television producer; and Gordon Hessler, director of such films as The Oblong Box and Murders in the Rue Morgue.
The Fly
This book teases out the DNA of David Cronenberg's "reimagining" of The Fly (1986). Drawing from interviews with cast, crew, commentators, and other filmmakers, Emma Westwood interlaces the "making of" travails of The Fly with why it is one of the most important works ever committed to screen.
Spaghetti Westerns--the Good, the Bad and the Violent
Spaghetti Westerns--mostly produced in Italy or by Italians but made throughout Europe--were bleaker, rougher, grittier imitations of Hollywood Westerns, focusing on heroes only slightly less evil than the villains. After a main filmography covering 558 Spaghetti Westerns, another section provides filmographies of personnel--actors and actresses, directors, musical composers, scriptwriters, cinematographers. Appendices provide lists of the popular Django films and the Sartana films, a listing of U.S.-made Spaghetti Western lookalikes, top ten and twenty lists and a list of the genre's worst.
Double Feature Creature Attack
This whopping big McFarland Classic brings together 43 interviews with horror and science fiction movie writers, producers, directors and the men and women who saved the planet from aliens, behemoths, robots, zombies, and other sinister, stumbling threats--in the movies, at least. The interviewees reminisce about some of their great (and not so great!) films and tell their stories. This classic volume represents the union of two previous volumes: 1994's Attack of the Monster Movie Makers ("anecdotes are frank and revealing"--Video Watchdog); and 1995's They Fought in the Creature Features ("a fun book for all SF film enthusiasts"--Interzone). Together at last, this combined collection of interviews offers a candid and delightful perspective on the movies that still make audiences howl and squeal (though fear has long been replaced with sweet nostalgia).
Towards a Poetics of Creative Writing
This book offers an in-depth study of the poetics of creative writing as a subject in the dramatically changing context of practice as research, taking into account the importance of the subjectivity of the writer as researcher. It explores creative writing and theory while offering critical antecedents, theoretical directions and creative interchanges. The book narrows the focus on psychoanalysis, particularly with regard to Lacan and creative practice, and demonstrates that creative writing is research in its own right. The poetics at stake neither denotes the study or the techniques of poetry, but rather the means by which writers formulate and discuss attitudes to their work.
