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"This valuable collection . . . should shift the ground of discourse on mid-19th-century American literature." —Publishers Weekly This unique collection has recovered for us the work of sixteen women who wrote during the years when American writers were developing their distinctive styles and voices.
American Lives is a groundbreaking book, the first historically organized anthology of American autobiographical writing, bringing us fifty-five voices from throughout the nation's history, from Abigail Adams, Abraham Lincoln, Jonathan Edwards, and Richard Wright to Quaker preacher Elizabeth Ashbridge, con man Stephen Burroughs, and circus impresario P.T. Barnum. Representing canonical and non-canonical writers, slaves and slave-owners, generals and conscientious objectors, scientists, immigrants, and Native Americans, the pieces in this collection make up a rich gathering of American "songs of ourselves." Robert F. Sayre frames the selections with an overview of theory and criticism of auto...
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To discover how women constructed their own mythology of the West, Kolodny examines the evidence of three generations of women's writing about the frontier. She finds that, although the American frontiersman imagined the wilderness as virgin land, an unspoiled Eve to be taken, the pioneer woman at his side dreamed more modestly of a garden to be cultivated. Both intellectual and cultural history, this volume continues Kolodny's study of frontier mythology begun in The Lay of the Land.
Focusing on a series of autobiographical texts, published and private, well known and obscure, Writing the Pioneer Woman examines the writing of domestic life on the nineteenth-century North American frontier. In an attempt to determine the meanings found in the pioneer woman's everyday writings -- from records of recipes to descriptions of washing floors -- Janet Floyd explores domestic details in the autobiographical writing of British and Anglo-American female emigrants.
"Enlisting works by Mark Twain and Willa Cather, as well as noncanonical sources, such as private journals, Daehnke examines the manner in which the imagery of the human figure at work and play in the frontier landscape participated in the nationalist, "civilizing" project of westward expansion. While acknowledging the growing secularization of American life, Daehnke surveys the continuing claims of the Christian redemptive scheme as a powerful symbolic domain for these writers' reflections on social progress and the potential for human perfectibility in the landscapes of the West."--Jacket.
A study of American women's writings about the West between 1830 and 1930 reviews the diaries of the overland trails; letters and journals of the wives of army officers during the Indian wars; professional travel writings, and late 19th- and early 20th-century accounts of missionaries and teachers on Indian reservations.
There was, in the nineteenth century, a distinction made between "writers" and "authors," Susan S. Williams notes, the former defined as those who composed primarily from mere experience or observation rather than from the unique genius or imagination of the latter. If women were more often cast as writers than authors by the literary establishment, there also emerged in magazines, advice books, fictional accounts, and letters a specific model of female authorship, one that valorized "natural" feminine traits such as observation and emphasis on detail, while also representing the distance between amateur writing and professional authorship. Attending to biographical and cultural contexts and...