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Finalist for the 2021 Willa Literary Award in Scholarly Non-Fiction Finalist for the 2021 Will Rogers Medallion Award in Western Non-Fiction Carolyn Grattan Eichin’s From San Francisco Eastward explores the dynamics and influence of theater in the West during the Victorian era. San Francisco, Eichin argues, served as the nucleus of the western theatrical world, having attained prominence behind only New York and Boston as the nation’s most important theatrical center by 1870. By focusing on the West’s hinterland communities, theater as a capitalist venture driven by the sale of cultural forms is illuminated against the backdrop of urbanization. Using the vagaries of the West’s notori...
The official journal of the Mid-America Theatre Conference Theatre History Studies is the official journal of the Mid-America Theatre Conference, Inc. (MATC). The conference is dedicated to the growth and improvement of all forms of theatre throughout a twelve-state region that includes the states of Illinois, Iowa, Nebraska, Kansas, Missouri, Minnesota, North Dakota, South Dakota, and Wisconsin. Its purposes are to unite people and organizations within this region and elsewhere who have an interest in theatre and to promote the growth and development of all forms of theatre. Published annually since 1981, Theatre History Studies provides critical, analytical, and descriptive essays on all a...
We take the edible trappings of flirtation for granted: chocolate covered strawberries and romance, oysters on the half shell and desire, the eggplant emoji and a suggestive wink. But why does it feel so natural for us to link food and sexual pleasure? Rachel Hope Cleves explores the long association between indulging in good food and an appetite for naughty sex, from the development of the Parisian restaurant as a place for men to meet with prostitutes and mistresses, to the role of sexual outlaws like bohemians, new women, lesbians and gay men in creating epicurean culture in Britain and the United States. Taking readers on a gastronomic journey from Paris and London to New York, Chicago and San Francisco, Lustful Appetites reveals how this preoccupation changed the ways we eat and the ways we are intimate―while also creating stigmas that persist well into our own twenty-first century.
Tombstone, Arizona, is forever associated with Wyatt Earp, Bat Masterson, Doc Holliday, and the legendary OK Corral gunfight that made it a cultural symbol of the Old West. The town’s most iconic and storied original building is the Bird Cage Theater—a stunning example of late nineteenth-century variety theaters that were a staple in entertainment around the globe. The modest interior that was once filled with orchestra music, cigar smoke, laughter and whistles, and cheers and jeers is now an empty canvas for the echoes of the past. Every year tens of thousands of tourists are welcomed through its doors to experience an atmosphere that begs wonder and imagination. Private and public tour...
How popular culture helped to create class in nineteenth-century America
Dr. Alan Gribben, a foremost Twain scholar, made waves in 1980 with the publication of Mark Twain's Library, a study that exposed for the first time the breadth of Twain's reading and influences. Prior to Gribben's work, much of Twain's reading history was assumed lost, but through dogged searching Gribben was able to source much of Twain's library. Mark Twain's Literary Resources is a much-expanded examination of Twain's library and readings. Volume I included Gribben's reflections on the work involved in cataloging Twain's reading and analysis of Twain's influences and opinions. This volume, long awaited, is an in-depth and comprehensive accounting of Twain's literary history. Each work read or owned by Twain is listed, along with information pertaining to editions, locations, and more. Gribben also includes scholarly annotations that explain the significance of many works, making this volume of Mark Twain's Literary Resources one of the most important additions to our understanding of America's greatest author.
When readers see the names Mark Twain and Dan De Quille, fake news may not be the first thing that comes to mind. But these legendary journalists were some of the original, and most prolific, fake news writers in the early years of Nevada’s history. Frontier Fake News puts a spotlight on the hoaxes, feuds, pranks, outright lies, witty writing, and other literary devices utilized by a number of the Silver State’s frontier newsmen from the mid-nineteenth through the early twentieth centuries. Often known collectively as the Sagebrush School, these journalists were opinionated, talented, and individualistic. While Mark Twain (Samuel Clemens), who got his start at Virginia City’s Territori...
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A peer-reviewed journal of theatre history and scholarship published annually since 1981 by the Mid-America Theatre Conference Introduction —LISA JACKSON-SCHEBETTA, WITH ODAI JOHNSON, CHRYSTYNA DAIL, AND JONATHAN SHANDELL PART I STUDIES IN THEATRE HISTORY Un-Reading Voltaire: The Ghost in the Cupboard of the House of Reason —ODAI JOHNSON Caricatured, Marginalized, and Erased: African American Artists and Philadelphia’s Negro Unit of the FTP, 1936–1939 —JONATHAN SHANDELL Stop Your Sobbing: White Fragility, Slippery Empathy, and Historical Consciousness in Branden Jacobs-Jenkins’s Appropriate —SCOTT PROUDFIT Asia and Alwin Nikolais: Interdisciplinarity, Orientalist Tendencies, an...
"American lucifers tracks how struggles to produce light transformed American history, beginning with the rise of the American whale fishery in the 1750s and culminating in the emergence, around the Civil War, of the petroleum industry and its primary product, kerosene. Between this shift from oil harvested from whales to oil extracted from rocks, American light was substantially derived from a substance called camphene, a highly explosive liquid mixture of spirits of turpentine and highly distilled alcohol, generally extracted from North Carolina pines by enslaved workers. Over the course of this narrative, Jeremy Zallen reveals the centrality of slavery to labor in gasworks, coal mines, guano islands, and factories that made illumination possible. Moreover, though the lights they created may have offered a veneer of progress and convenience, they also made it possible for industry to extract workers' and slaves' labor around the clock. The availability of these illuminants extended men's working days to the point that women and children were expected to shoulder all domestic labor as a matter of course"--