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A companion to the popular YouTube series "Brian Rutenberg Studio Visits" and a love letter to painting, written by a painter.
When Carolyn Weber set out to study Romantic literature at Oxford University, she didn't give much thought to God or spiritual matters—but over the course of her studies she encountered the Jesus of the Bible and her world turned upside down. Surprised by Oxford chronicles her conversion experience with wit, humor, and insight into how becoming a Christian changed her. Carolyn Weber arrives at Oxford a feminist from a loving but broken family, suspicious of men and intellectually hostile to all things religious. As she grapples with her God-shaped void alongside the friends, classmates, and professors she meets, she tackles big questions in search of truth, love, and a life that matters. F...
Covers all the "ins" and "outs" of tomato growing, from planting and harvesting to fertilizing and caging, in a guide that comes complete with a review of tomatoes of all shapes, colors, and sizes
With the development in the 1960s of ultrahigh vacuum equipment and techniques and electron, X-ray, and ion beam techniques to determine the structure and composition of interfaces, activities in the field of surface science grew nearly exponentially. Today surface science impacts all major fields of study from physical to biological sciences, from physics to chemistry, and all engineering disciplines. The materials and phenomena characterized by surface science range from se- conductors, where the impact of surface science has been critical to progress, to metals and ceramics, where selected contributions have been important, to bio- terials, where contributions are just beginning to impact...
Stitch a delightful workbox in the shape of a whimsical English cottage with this stunning design from Carolyn Pearce.
This text-only collection contains 45 contemporary hymns on a wide variety of topics, including biblical stories, the church, the seasons and special occasions in the church year. Each hymn appears on a separate page and one or more hymn tunes is suggested for each text. The hymns are followed by a commentary section in which Gillette provides background information for each hymn.
Amid the national shame and subjugation following World War I in France, cultural critics there—journalists, novelists, doctors, and legislators, among others—worked to rehabilitate what was perceived as an unhealthy social body. Carolyn J. Dean shows how these critics attempted to reconstruct the "bodily integrity" of the nation by pointing to the dangers of homosexuality and pornography. Dean's provocative work demonstrates the importance of this concept of bodily integrity in France and shows how it was ultimately used to define first-class citizenship. Dean presents fresh historical material—including novels and medical treatises—to show how fantasies about the body-violating qualities of homosexuality and pornography informed social perceptions and political action. Although she focuses on the period from 1890 to 1945, Dean also establishes the relevance of these ideas to current preoccupations with pornography and sexuality in the United States.
Fern seeks refuge from her mother's pill-popping and boyfriends via Soul Train; Gwin finds salvation in the music of Prince much to her congregation's dismay and Jesenia, miles ahead of her classmates at her gifted and talented high school, is a brainy and precocious enigma. None of this matters to Boss Man, the monster who abducts them and holds them captive in a dilapidated house in Queens. On the night they are finally rescued, throngs line the block gawking and claiming ignorance. Among them is lifetime resident Miss Metropolitan, advice columnist for the local weekly, but how could anyone who fancies herself a "newspaperwoman" have missed a horror story unfolding right across the street? And why is it that only two of the three girls--now women--were found? The mystery haunts the two remaining "victim girls" who are subjected to the further trauma of becoming symbols as they continuously adapt to their present and their unrelenting past.
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