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Deception
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Pictorialism in Cinema
This book explores the unique phenomenon of pictorialism and its connection with other arts in film and media studies. Pictorialism is motivated by the commitment to develop and increase the function and effectiveness of images, sounds, and performances that aesthetically formulate, translate, and change the effects of contemporary cinema to higher dimensions and qualities of art. The book’s main focus is when pictorialism as such is the major aesthetic convention used in filmmaking practice, and when pictorialism itself forms the key element of the narrative, considering a number of theoretical and practical issues of filmic narration, including: What are the main challenges of pictorial ...
Gardens and the Passion for the Infinite
What essentially is a garden? Is it a small plot of land that we put aside to cultivate our favorite vegetables or to grow flowers for our personal enjoyment? Or is it a symbol, a mirror, a reflection of our human passions? The topic of the present volume is the mysterious ways in which Imaginatio Creatix plays within the human ingrowness in natural life, transposing dreams, nostalgias, and enchantments.
BorderCrossings
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The Visible and the Invisible in the Interplay between Philosophy, Literature and Reality
Merleau-Ponty's categories of the visible and the invisible are investigated afresh and with originality in this penetrating collection of literary and philosophical inquiries. Going beyond the traditional and current references to the mental and the sensory, mind and body, perceptual content and the abstract ideas conveyed in language, etc., these studies range from the `hidden spheres of reality', to the play of the visible and the invisible left as traces in works of human genius, the origins of intellect and language, the real and the imaginary in literature, and the `hidden realities' in the philosophy of the everyday world. These literary and philosophical probings collectively reveal the role of this disjoined/conjoined pairing in the ontopoietic establishment of reality, that is, in the manifestation of the logos of life. In tandem they bring to light the hidden play of the visible and the invisible in the emergence of our vital, societal, intimate, intellectual, and creative involvements.
Las redes sociales, las emociones y el futuro de la democracia Perspectivas desde J. Haidt y M. McLuhan
Este libro parte de que la democracia representativa no es independiente del entorno tecnológico en su conjunto, por el contrario, para que dicha democracia funcione tienen que estar en concordancia con tal entorno; sin embargo, el entorno comunicativo y mediático en general requerido por la democracia representativa ya no existe. Así, la democracia liberal se sobrevive a sí misma porque el entorno mediático actual, "eléctrico" (McLuhan), centrado en las redes sociales y la web. 2.0 es antitético a ella. Lo que ahora es visto como el avance del iliberalismo tiene su causa inmediata en que la democracia liberal y el entorno tecnológico están en disonancia estructural.
Phenomenology and Media
During the first decade of its existence, from 1999 to 2008, the Society for Phenomenology and Media held annual international conferences in San Diego (California), Puebla (Mexico), Krakow (Poland), Helsinki (Finland), Buenos Aires (Argentina), Provo (Utah), and Monmouth (Oregon). Papers delivered at these conferences were published in the Society's journal, Glimpse. The current volume is an anthology of essays drawn from the first ten years of Glimpse. From its birth, the Society sought to bridge the gap between contemporary media theory and practice and phenomenological insight. Essays in this anthology include work on digital representation, film, mobile communication, cyberspace, medieval manuscripts, print, radio, the stage, TV, virtual reality, and other media, as well as theoretical papers dealing with media aesthetics, epistemology, ethics, politics, and ontology.
Smallest Mimes. Defaced Representation and Media Epistemology
This book proposes an alternate theory of media evolution that accounts for the appearance of a new medium in the malpractice of older media. Smallest Mimes addresses complex issues of media transition, the inherent confusion of media definition by use of metaphor instead of phenomenological description, and the impact of individual media function and structure on both textual and imagistic content. Bringing together Majkut’s past speculations on media, Smallest Mimes interweaves a general theory of media, a theory of historical media change and transmission, and a theory of media genesis in technological adequacy/inadequacy.
