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Thomas Demand
Thomas Demands work lures the viewer into a reality that is not what it appears to be. His images present scenes of political and social events, which the artist recreates out of paper and cardboard, in a scale that is true to the original size of the setting. Demand then photographs these sculptures, creating images in which specific traces of the events and the protagonists are removed, leaving possible evidence of a crime scene, one which appears familiar but yet out of reach. The exhibition and book Nationalgalerie brings together Demands work of the last 15 years which is rooted in German imagery. Demand examines the Deutschlandbild, the German image in photographs from a variety of scenarios in the post-war period. From a selection both known and new of key images of decisive political events and private moments Demand offers a kaleidoscopic vision of a society.
Sigurd Lewerentz
The definitive monograph on Swedish modernist architect Sigurd Lewerentz. Sigurd Lewerentz (1885-1975) is one of the most highly revered--as well as one of the most heavily mythologized--protagonists of modern European architecture. Arguably Sweden's most distinguished modernist, he is more influential for architects around the world today than he was during his lifetime. Countless architecture lovers from around the world visit his buildings. Stockholm's woodland cemetery Skogskyrkogården, his most significant contribution to landscape design, is a UNESCO World Heritage Site. This authoritative new monograph on Sigurd Lewerentz is based on extensive research undertaken at ArkDes, Sweden's ...
Taking the Country's Side
An argument for the cross-fertilization of agriculture and architecture Making the case for situating agriculture as the twin of architecture, Taking the Country's Side looks back on the 10,000-year history of these two disciplines in order to show a path forward for their mutual cooperation. This volume argues that the concept of permaculture could inform urban design today.
The Feeling of Things
Adam Caruso is not only a member, together with Peter St John, of the London-based architecture office Caruso St John but also a prolific author who has focused his thoughts on the practice of architecture and who has taken a new look at some of the leading figures of the so-called “other tradition” in the Modern Movement. In “Sigurd Lewerentz and a material basis for form” (1997), “The Tyranny of the New” (1998), “The Feeling of Things” (1999), “The Emotional City” (2000), and “Towards an Ontology of Construction” (2002), we find a new perception of the radical approach adopted in modern and contemporary architecture.
Hopkins in the City
A transformation occurred in the work of Michael Hopkins and Partners during the 1980s and 1990s that was achieved at its highest level in the five urban buildings explored in this book. Relatively unknown outside Great Britain, Hopkins presents his perspective at that time in his lecture "Technology Comes to Town", here published and balanced by building studies from five contemporary European architects. Essays by Adam Caruso and Helen Thomas frame the British scene in which the fundamental issues of technology, style and context that run through discussions of 20th century architecture are revisited. The presence of these themes in Hopkins's architecture is revealed through survey drawings and new photographs of the buildings by Hélène Binet.
Thomas Demand
Published on the occasion of a major solo exhibition of Thomas Demand’s work at Belgium museum M Leuven in October 2020, this book focuses on Demand’s relationship to architecture and his engagement with architects over almost fifteen years. The starting point is his ongoing series ‘Model Studies’, in which the concept of the model itself is key, and includes rarely show projects such as Black Label (2009), Embassy (2007), and Nagelhaus (2008).
As Built
Some twenty projects from this London based architectural studio are examined in detail in this monograph, including their latest built works, such as the new classrooms at Hallfield School and a private residence called the Brick House. An interview and several texts by the principals are also included, providing an interesting insight into their opinions on such themes as tradition and novelty as well as to their approach to designing buildings in general.
Caruso St John
British architects Adam Caruso and Peter St John first came to prominence in 1996 when they won an international competition to design the New Walsall Art Gallery a project which was shortlisted for the prestigious Stirling Prize in 2000. Since then, they have gone on to become one of Britain¿s leading contemporary architectural design firms with noted projects across the UK and continental Europe. This highly illustrated volume offers a privileged look at the design principles underpinning Caruso St John one that contends contemporary architects should be willing to draw on an endless variety of influences rather than rely on the established theories of abstraction and simplification. It also provides an unrivalled account of the firm¿s projects from the early 1990s up to the present day.
Epics in the Everyday
Architecture and photography share the condition of being suspended between fine art and craft. Realism is considered a given, something that happens almost by default. From the moment it is taken, a photograph is understood to be a record of what was in front of the camera--just as a building, as soon as it is inhabited, becomes the fixed backdrop for everyday life. In Epics in the Everyday, Jes s Vassallo explores this condition, tracing a series of collaborations between architects and photographers from the postwar years up to the present. Consistently, the subject matter of these collaborations is the built environment, which presents architects and photographers--in different ways--with a mirror that challenges the idea of realism in their respective disciplines. Beyond casting a diagonal light on important developments within the two individual disciplines, the book chronicles an alternative history of both modern architecture and photography and builds a case for a specific type of realism found at their intersection.
