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I Want to Do Bad Things: Modern Interpretations of Evil
This volume was first published by Inter-Disciplinary Press in 2014. Far from the confines of black and white, evil today is an often complex and ever-evolving concept which can be found in all facets of life. This book offers a collection of views on the concepts of evil and wickedness from a variety of subjects, helping to show the range and scope of this universal concept. Chapters begin by exploring the concept of evil from a philosophical perspective, attempting to question the very nature of evil itself and what issues help to constitute the subject. They continue by discussing evil as it relates to monetary value in terms of capitalism, politics, and binary code. The last two sections focus on evil through the lens of literature and film, touching upon a wide range of characters from the villain-hero of the Elizabethan era to the modern day antihero featured in twenty-first century film.
Criminological Understandings of Horror Films
This book examines horror films through a critical criminological lens. Each chapter considers how the genre impacts audiences and their understanding of topics like place, crime, and identity.
Topography of Trauma: Fissures, Disruptions and Transfigurations
This volume addresses trauma not only from a theoretical, descriptive and therapeutic perspective, but also through the survivor as narrator, meaning maker, and presenter. By conceptualising different outlooks on trauma, exploring transfigurations in writing and art, and engaging trauma through scriptotherapy, dharma art, autoethnography, photovoice and choreography, the interdisciplinary dialogue highlights the need for rethinking and re-examining trauma, as classical treatments geared towards healing do not recognise the potential for transfiguration inherent in the trauma itself. The investigation of the fissures, disruptions and shifts after punctual traumatic events or prolonged exposur...
Perspectives on Evil
The question of evil is one of the oldest and most intensely studied topics in intellectual history. In fiction, legend and mythology the boundary between good and evil is often depicted as clear-cut, at least to the reader or listener, who is supposed to understand such tales as lessons and warnings. Evil is something that must be avoided by the hero in some cases and vanquished in others; it is either the exact opposite of the expected good behaviour, or its complete absence. Even so, for the characters in these didactic fictions, it turns out to be deceptively easy to fall to the infernal, ‘dark’ side. This volume draws on the expertise of an interdisciplinary group of contributors to chart events and deeds of an ‘evil’ nature that have been lived in the (recent) past and have become part of history, from individual to institutionalised evil.
The Palgrave Handbook of Prison Tourism
This extensive Handbook addresses a range of contemporary issues related to Prison Tourism across the world. It is divided into seven sections: Ethics, Human Rights and Penal Spectatorship; Carceral Retasking, Curation and Commodification of Punishment; Meanings of Prison Life and Representations of Punishment in Tourism Sites; Death and Torture in Prison Museums; Colonialism, Relics of Empire and Prison Museums; Tourism and Operational Prisons; and Visitor Consumption and Experiences of Prison Tourism. The Handbook explores global debates within the field of Prison Tourism inquiry; spanning a diverse range of topics from political imprisonment and persecution in Taiwan to interpretive progr...
Proceedings
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The Palgrave Handbook of Incarceration in Popular Culture
The Handbook of Incarceration in Popular Culture will be an essential reference point, providing international coverage and thematic richness. The chapters examine the real and imagined spaces of the prison and, perhaps more importantly, dwell in the uncertain space between them. The modern fixation with ‘seeing inside’ prison from the outside has prompted a proliferation of media visions of incarceration, from high-minded and worthy to voyeuristic and unrealistic. In this handbook, the editors bring together a huge breadth of disparate issues including women in prison, the view from ‘inside’, prisons as a source of entertainment, the real worlds of prison, and issues of race and gender. The handbook will inform students and lecturers of media, film, popular culture, gender, and cultural studies, as well as scholars of criminology and justice.
Badlands
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