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Henri Matisse
"A series of linked essays that considers different aspects of Matisse's life and work, revealing how the artist worked against many of the main tenets of modernism"--Provided by publisher.
Matisse
Contains photographs of sculptures created by Henri Matisse.
Ruthless Hedonism
AcknowledgmentsPrologue: Matisse and the Culture Generally1. Journalists: Recasting the Image of the Modern Artist2. Dealers: Paul Rosenberg and Matisse Fils3. Private Collectors: Museum-Going Millionaires with a Taste for France4. Museums I: Public Relations and the Semiprivate Museum5. Museums II: Private Relations and the Semipublic Museum6. Artists: Contending with the European Modernist Canon7. Critics: Clement Greenberg's Defense of Material PleasureEpilogue: Merchandising OptimismNotesBibliographyIndex Copyright © Libri GmbH. All rights reserved.
Henri Matisse
First Published in 1996. Routledge is an imprint of Taylor & Francis, an informa company.
Matisse Portraits
An account of Henri Matisse's activity as a maker of portraits and self-portraits. The author considers the transaction that produces a portrait - a transaction between the artist and the sitter that is social as much as artistic - and investigates the social contexts of Matisse's sitters.
Impressionism
Defining an artistic era or movement is often a difficult task, as one tries to group individualistic expressions and artwork under one broad brush. Such is the case with impressionism, which culls together the art of a multitude of painters in the mid-19th century, including Monet, Cézanne, Renoir, Degas, and van Gogh. Basically, impressionism involved the shedding of traditional painting methods. The subjects of art were taken from everyday life, as opposed to the pages of mythology and history. In addition, each artist painted to express feelings of the moment instead of hewing to time-honoured standards. This description of impressionism, obviously, is quite broad and can apply to a wid...
Cross and neo-impressionism
The exhibition offers a chance to discover first of the finest works of Cross (34 paintings) but which has never been demonstrated, its influence on Matisse, who in turn will open new fields in the color. Unlike Signac, he rejoices that Matisse is one of the painters who "will deepen the laws of optical mixing, not to surrender to them, but to break away. " If Cross was instrumental in helping Matisse explored the contribution of neo-impressionism, in turn, prompted Matisse Cross to open up to other issues, including that of the line and dare the color tones in bold. This exhibition follows on the Matisse-Derain, Collioure, 1905, was a fawn, the Matisse Museum in 2005-2006 was organized with the Museum of Ceret.
Matisse the Master
The widespread general impression of Matisse as on one hand a somewhat frivolous painter and on the other a rather dull and uninteresting person is long overdue for revision. This revealing biography closely examines the relationship between his life and his art. Originally published: London: Hamish Hamilton, 2005.
Guide to the Literature of Art History 2
"This bibliography supplements the greatest of modern art bibliographies, Etta Arntzen and Robert Rainwater's Guide to the literature of art history (ALA, 1980)"--Preface.
