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First Published in 1996. Routledge is an imprint of Taylor & Francis, an informa company.
"A series of linked essays that considers different aspects of Matisse's life and work, revealing how the artist worked against many of the main tenets of modernism"--Provided by publisher.
First published in 1996. Routledge is an imprint of Taylor & Francis, an informa company.
AcknowledgmentsPrologue: Matisse and the Culture Generally1. Journalists: Recasting the Image of the Modern Artist2. Dealers: Paul Rosenberg and Matisse Fils3. Private Collectors: Museum-Going Millionaires with a Taste for France4. Museums I: Public Relations and the Semiprivate Museum5. Museums II: Private Relations and the Semipublic Museum6. Artists: Contending with the European Modernist Canon7. Critics: Clement Greenberg's Defense of Material PleasureEpilogue: Merchandising OptimismNotesBibliographyIndex Copyright © Libri GmbH. All rights reserved.
An account of Henri Matisse's activity as a maker of portraits and self-portraits. The author considers the transaction that produces a portrait - a transaction between the artist and the sitter that is social as much as artistic - and investigates the social contexts of Matisse's sitters.
This revelatory study of Georges Seurat (1859–1891) explores the artist’s profound interest in theories of visual perception and analyzes how they influenced his celebrated seascape, urban, and suburban scenes. While Seurat is known for his innovative use of color theory to develop his pointillist technique, this book is the first to underscore the centrality of diverse ideas about vision to his seascapes, figural paintings, and drawings. Michelle Foa highlights the importance of the scientist Hermann von Helmholtz, whose work on the physiology of vision directly shaped the artist’s approach. Foa contends that Seurat’s body of work constitutes a far-reaching investigation into various modes of visual engagement with the world and into the different states of mind that visual experiences can produce. Foa’s analysis also brings to light Seurat’s sustained exploration of long-standing and new forms of illusionism in art. Beautifully illustrated with more than 140 paintings and drawings, this book serves as an essential reference on Seurat.
Contains photographs of sculptures created by Henri Matisse.
Defining an artistic era or movement is often a difficult task, as one tries to group individualistic expressions and artwork under one broad brush. Such is the case with impressionism, which culls together the art of a multitude of painters in the mid-19th century, including Monet, Cézanne, Renoir, Degas, and van Gogh. Basically, impressionism involved the shedding of traditional painting methods. The subjects of art were taken from everyday life, as opposed to the pages of mythology and history. In addition, each artist painted to express feelings of the moment instead of hewing to time-honoured standards. This description of impressionism, obviously, is quite broad and can apply to a wid...
A brand new look at the extremely beautiful, if underappreciated, later works of one of the most inventive artists of the 20th century Between 1935 and his death at midcentury, Henri Matisse (1869-1954) undertook many decorative projects and commissions. These include mural paintings, stained glass, ceramic tiles, lead crystal pieces, carpets, tapestries, fashion fabrics, and accessories--work that has received no significant treatment until now. By presenting a wealth of new insights and unpublished material, including from the artist's own correspondence, John Klein, an internationally acclaimed specialist in the art of Matisse, offers a richer and more balanced view of Matisse's ambitions...