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The emergence of modern dance and the early history of cinema ran concurrent with the European avant-garde's development of pictorial abstraction in the first decades of the 20th century. However, many assume that modernist abstraction resulted from a century of natural, autonomous evolution to painting styles and tastes. In Moving Modernism, author Nell Andrew challenges this assumption. By examining dance and film created during this period, she argues that performative modes of art created the link between bodily movement and movement depicted in modernist paintings. In a seeming paradox, dance and film - durational arts, involving real bodies in space-participated in the development of a...
Through her bestselling exercise DVDs and incredible running achievements, including running a sub three hour marathon, Nell McAndrew has built a reputation as a fitness expert. Running continues to rise in popularity, but many of us don't know where to start. This book shares Nell's love of running and will inspire you to take up the sport, as well as helping anyone already running to improve their performance. Nell and co-author Lucy Waterlow, also an experienced runner, will equip you, whatever your age or ability, with the know-how to make running part of your life and help you learn to love training and competing as much as they do. Find out how to get started with running and how to improve with specific sections on nutrition, marathon running and women's running (including exercising during and after pregnancy). This is a visual, practical and insightful guide offering informative and fun coverage with tips, accurate up-to-date information and the experiences of 'real' runners you can identify with.
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Featuring a range of large-scale, public and more intimate portraits of actresses, The First Actresses provides a vivid spectacle of femininity, fashion and theatricality from Nell Gwyn to Sarah Siddons. Ranging from oil paint to porcelain, these portraits illustrate the enduring popularity of portraits of women performers. Crucially the book seeks to reassess the traditional association between actress and'prostitute', and the moral ambiguity of women playing male roles. Portraiture became an important vehicle for the expression of concerns about female sexuality, social status, decorum, gender and celebrity. The authors also chart the commercialisation of the spectacle of the actress, as w...
Contains many biographical sketches and historical and descriptive articles regarding Utah, Utah communities and Mormon faith and history.
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“A unique and inherently fascinating history that brings a particular aspect of the role of women in law enforcement up out of obscurity.” —Midwest Book Review The 1857 Divorce Act paved the way for a new career for women: that of the private detective. To divorce, you needed proof of adultery—and men soon realized that women were adept at infiltrating households and befriending wives, learning secrets and finding evidence. Over the course of the next century, women became increasingly confident in gaining work as private detectives, moving from largely unrecognized helpers to the police and to male detectives, to becoming owners of their own detective agencies. In fiction, they were...
As always, Jesse Falkenstein and Sergeant Clock have a score of cases on their hands, but Jesse is mainly interested in the murder of Margaret Brandon, a trance medium. He was her lawyer and liked her, and someone had gone to great efforts to make her death seem accidental. But with so many suspects - the egocentric writer, the young lout, the nephew in line for an inheritance - both Falkenstein and Clock are at their wit's end until their old acquaintance Mr Walker sends his comments from Hawaii - which might be just what they need to get a lead . . . 'My favourite American crime-writer' New York Herald Tribune
A monumental novel capturing how one man comes to terms with the mutable past. 'A masterpiece... I would urge you to read - and re-read ' Daily Telegraph **Winner of the Man Booker Prize for Fiction** Tony Webster and his clique first met Adrian Finn at school. Sex-hungry and book-hungry, they would navigate the girl-less sixth form together, trading in affectations, in-jokes, rumour and wit. Maybe Adrian was a little more serious than the others, certainly more intelligent, but they all swore to stay friends for life. Now Tony is retired. He's had a career and a single marriage, a calm divorce. He's certainly never tried to hurt anybody. Memory, though, is imperfect. It can always throw up surprises, as a lawyer's letter is about to prove.