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The Julian Basilica
Early-20th-century explorations of the Roman Forum at Ancient Corinth revealed a massive early imperial building now known as the Julian Basilica. The structure stood on a podium over four meters high, and it dominated the east end of the forum in size, aspect, and function until its destruction in the 4th century A.D. Within it was one of the largest known shrines to the imperial cult and the likely site of the imperial court of law for the Roman province of Achaia. The basilica housed 11 or more large-scale statues most likely to members of the Julio-Claudian family (including Augustus, Augustus's heirs Gaius and Lucius, and arguably Divus Iulius, Germanicus, Nero Caesar, and Claudius), as...
The Julian Basilica
Early-20th-century explorations of the Roman Forum at Corinth revealed a massive early imperial building now known as the Julian Basilica. Within it was one of the largest known shrines to the imperial cult and the likely site of the imperial court of law for the Roman province of Achaia.
The Afterlife of Greek and Roman Sculpture
A landmark volume on the uses and reuses of statuary in late antiquity.
The Villa Dei Papiri at Herculaneum
The Villa dei Papiri at Herculaneum-buried during the eruption of Mt. Vesuvius in A.D. 79, then rediscovered in 1750-contained a large collection of bronze and marble statuary and busts. Before they were published or exhibited, the sculptures were restored so as to appear whole: it is thus that they helped to shape early modern tastes in classical sculpture. The book describes the nature of the ancient sculptures and their impact on the modern public. Their chance discovery affected the interpretation of the statues-their styles and subjects-over the course of the next 250 years. The ancient sculptures were copied extensively in reproductions of various sizes and patinas. The author traces t...
Cleopatra and Rome
In this beautifully illustrated book, we experience the synthesis of Cleopatra's and Rome's defining moments through surviving works of art and other remnants of what was once an opulent material culture. This culture best chronicles Cleopatra's legend and suggests her subtle but indelible mark on the art of imperial Rome at the critical moment of its inception.
Imperial Women
From the end of the Roman Republic to the death of the last Julio-Claudian emperor, portraits of women - on coins, public monuments, and private luxury objects - became an increasingly familiar sight throughout the empire. These women usually represented the distinguished bloodlines of the head of the state, or his hopes for succession, but in every case, their images were freighted with political significance. These objects also communicated social messages about the appropriate roles, behavior, and self-presentation of women. This volume traces the emergence and development of the public female portrait, from Octavia, the first Roman woman to be represented in propria persona on coinage, to the formidable and ambitious Agrippina the Younger, whose assassination demonstrated to later women the limits of official power they could demand.
Migration and Diaspora Formation
The role of migration for Christianity as a world religion during the last two centuries has drawn considerable attention from scholars in different fields. The main issue this book seeks to address is the question whether and to what extent migration and diaspora formation should be considered as elements of a new historiography of global Christianity, including the reflection upon earlier epochs. By focusing on migration and diaspora, the emerging map of Christianity will include the dimension of movement and interaction between actors in different regions, providing a more comprehensive ‘map of agency’ of individuals and groups previously regarded as passive. Furthermore, local histories will become parts of a broader picture and historiography might correlate both local and transregional perspectives in a balanced manner. Behind this approach lies the desire to broaden the perspective of Ecclesiastical History – and religious history in general – in a more systematic manner by questioning the traditional criteria of selection. This might help us to recover previously lost actors and forgotten dynamics.
Paul and Image
In Paul and Image, Philip Erwin challenges conventional interpretations of 1 Corinthians that tend to overlook the significance of ancient Roman visual culture in framing and posing exegetical questions. He argues that in 1 Corinthians Paul engaged in a long-standing philosophical discussion of visual representation, with consequential implications for how he and his Corinthian addressees interacted with the imagery around them. By situating Paul’s letter in the context of the critical discourse on visual representation from Plato to Philo to the Second Sophistic, Erwin redefines Paul’s critique of human wisdom, treatment of idols, and resurrection discourse in visual terms.
Corinth, the Centenary, 1896-1996
Twenty-five papers presented at the December 1996 symposium held in Athens to celebrate the 100th anniversary of the American School of Classical Studies excavations at ancient Corinth. The papers are intended to illustrate the range in subject matter of research currently being undertaken by scholars of ancient Corinth, and their inclusion in one volume will serve as a useful reference work for nonspecialists. Each of the topics (which vary widely from Corinthian geology to religious practices to Byzantine pottery) is presented by the acknowledged expert in that area. The book includes a full general bibliography of articles and volumes concerning material excavated at Corinth. As a summary of one hundred years' research it will be useful to generations of scholars to come.
The Gymnasium Area
Volume XXIII in the Corinth series is dedicated to the finds from the Gymnasium Area, excavated between 1965 and 1972 by James R. Wiseman and the University of Texas at Austin. Fascicle XXIII.1 presents the marble sculpture, 126 pieces dating between the 6th century B.C. and 5th century A.D. and found in or near a variety of built features, including the ornately decorated Bath-Fountain complex. Among the sculptural finds are portraits of athletes and civic officials and depictions of Dionysos, Hermes, and Aphrodite and the nymphs. Herms and statue bases also form part of the assemblage. This corpus grants us insight into the sculptural practices after the founding of the Roman colony at Corinth, and critical knowledge concerning display context, reuse, and the deposition of sculpture at a gymnasium in a large regional center of the eastern Mediterranean.
