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Exploring the nature of pious reforms in such areas as liturgy, saint cults, pilgrimage, confraternities, hymns, and Bible translation during the "long nineteenth century."
This book is the result of a two-year postdoctoral research fellowship at the Kunsthistorisches Institut (Max Planck Institute) in Florence, Italy, in collaboration with the MaxNetAging Research School in Rostock, Germany. Adopting an innovative approach, it leads the reader through early modern Tuscan paintings to discover a new vision of intergenerational relationships. By studying both the images of elderly people in the scenes of Jesus’ Childhood and the primary sources dealing with old age, the book reveals how old age was perceived at the end of the Middle Ages and the beginning of the Renaissance in Tuscany.
Looking past the apparent lack of a sustainable Irish display culture, this book demonstrates that there is a very full story to tell of the way Ireland displayed its art from the late eighteenth to the early twentieth century. Ireland on Show analyzes the impact of the display of art as a significant political and cultural feature in the make-up of nineteenth-century Ireland - and in how Ireland was viewed beyond its own shores, in particular in Great Britain and the United States. Fintan Cullen directs much-needed critical attention and analysis to a subject that has been largely overlooked from an Irish perspective. This study moves beyond museums, to address the range of art institutions...
Recent years have seen cultural memory become a significant element in area studies and the humanities. Ireland, with its trauma-filled history and huge global diaspora, presents a fascinating subject for work in this vein. This series as a whole seeks to construct a landscape of cultural memory in Ireland, looking to map—through an examination of various historical moments, spaces, and cultural forms—the ways in which cultural memory shifts over time. Volume 3 focuses on the impact of trauma on cultural memory by considering two cruxes, the Famine and the Troubles, as formative to the study of Irish cultural memory. Topics include hunger strikes, monuments to the Famine, trauma and the politics of memory in the Irish peace process, and Ulster Loyalist battles in the twenty-first century. Gathering the work of leading scholars such as Graham Dawson, Richard Kearney, Margaret Kelleher, David Lloyd, and Joseph Valente, this collection is an essential contribution to the field of Irish studies.
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In Out of Love for My Kin, Amy Livingstone examines the personal dimensions of the lives of aristocrats in the Loire region of France during the eleventh and twelfth centuries. She argues for a new conceptualization of aristocratic family life based on an ethos of inclusion. Inclusivity is evident in the care that medieval aristocrats showed toward their families by putting in place strategies, practices, and behaviors aimed at providing for a wide range of relatives. Indeed, this care—and in some cases outright affection—for family members is recorded in the documents themselves, as many a nobleman and woman made pious benefactions "out of love for my kin." In a book made rich by eviden...
Description of the roles women have played in the construction and practice of Christian traditions, from the earliest disciples to the latest theologians.
This book answers two questions: What does the implementation of inclusive education require of a system of education and all parts of the system? How do various parts of the education system act on their commitment to inclusive educational practice? Decades after major legislation (i.e., the Civil Rights Act, the Elementary and Secondary Education Act, and the Education for All Handicapped Children Act) made high-quality education a fundamental right for all children in the United States, the dream of diverse, inclusive, democratic schooling has yet to be realized. Nevertheless, some classrooms, schools, districts, states, and universities have made progress. Inclusive Education: A Systemat...
The women profiled in these chapters come from diverse cultural, social, economic and spiritual backgrounds: from patrician heads of household to widows, from saints to artistic patrons, each of the women featured in this interdisciplinary study offers us fresh insight and a broader perspective on the position and role of female protagonists in the history of early modern Tuscany. Employing a variety of methodological approaches, and aided by new archival material, this volume examines women’s ordinary and extraordinary experiences through their writings, cultural and religious activities, social and political networks, and commercial endeavors. In so doing, the volume raises insightful questions about the scope of women’s accomplishments and provides new direction for the future study of women’s agency and self-fashioning.