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Winner of the 2024 TLS Ackerley Prize 'Part poignant memoir of time and place. Part record of the violence, and indifference, against which most girls grow up. The Stirrings is a pleasure and a shock' Eimear McBride 'A superb, moving and disturbing memoir - haunting and unforgettable' Jonathan Coe This is a story about one young woman coming of age, and about the place and time that shaped her: the North of England in the 1970s and 80s. About the scorching summer of 1976 - the last Catherine Taylor would spend with both her parents in their home in Sheffield. About the Yorkshire Ripper, the serial killer whose haunting presence in Catherine's childhood was matched only by the aching absence of her own father. About a country thrown into disarray by the nuclear threat and the Miners' Strike, just as Catherine's adolescent body was invaded by a debilitating illness. About 1989's 'Second Summer of Love', a time of sexual awakening for Catherine, and the unforeseen consequences that followed it. About a tragic accident, and how the insidious dangers facing women would became increasingly apparent as Catherine crossed into to adulthood.
*Shortlisted for the Eharmony/Orion Write Your Own Love Story Prize What if love could last more than just one lifetime? A haunting and beautiful story of the Great War, time travel - and choosing the impossible In 1916 1st Lieutenant Robert Lovett is a patient at Coldbrook Hall convalescent hospital in England. A gifted artist, he's been wounded in WW1. Shellshocked and suffering from hysterical blindness he can no longer see his own face, let alone paint, and life seems hopeless. A century later in 2017, medical student Louisa Casson has just lost her beloved grandmother. She drowns her sorrows in alcohol - only to fall accidentally part-way down nearby cliffs. Doctors fear a suicide attem...
"Things puppets can do to us: charm, deceive, captivate, fool, trick, remind, amuse, distract, bore, repulse, annoy, puzzle, transport, provoke, fascinate, stand in for, kill." In You, Me, and the Violence, Catherine Taylor pairs puppetry and drone warfare to create a collage of meditations on family, politics, violence, autonomy, and, ultimately, hope.
Beirut isn't an obvious home for a young Australian couple, but when the opportunity arose for journalist Catherine Taylor and her husband to move to Lebanon, they didn't think twice about leaving their comfortable life in Sydney. Catherine soon fell in love with the Paris of the Middle East and became fascinated by the complexity of its people: their exuberant and loving nature seemed to belie the many dark years of bloodshed and conflict they'd endured. She set about trying to understand the region, interviewing the wives of suicide bombers, Lebanese hashish farmers, stricken Palestinians on the West Bank, female boxing contestants in Cairo, Hezbollah fighters, and even Osama bin Laden's best friend. She also witnessed firsthand the impact of 9/11 on the region. Gradually she learnt to negotiate these very different cultures with humour and more than the occasional faux pas. When she reluctantly left after several years she vowed to return. In 2006, after the violence flared up again between Israel and Lebanon, she went back to see how her adopted country and friends had coped, and how, with their remarkable resilience, they saw the way forward.
Apart grew out of Taylor's memories of visiting her family in South Africa as a child and her later curiosity about her (white) mother's involvement in early anti-apartheid women's groups. Mixing narrative prose, poems, social and political theory, and found texts culled from years of visiting South African archives and libraries, Apart navigates the difficult landscapes of history, shame, privilege, and grief. "Everything begins as duality (the personal and the historical, ideas of white and ideas of black), and becomes more--even hopelessly--complex...It is not so much that everything is dual, but as Taylor eventually notes, a 'jammed hinge.' Everything remains, as the title has it, apart. In exploring the unresolvable, everything becomes a part." -Alexandria Marzano-Lesnevich, Ploughshares
Offers an evocative and insightful look at the world of midwives and their role in childbirth, providing a thorough analysis and helpful advice on using a midwife as an alternative to physician-aided hospital delivery to bring one's child into the world.
An introduction to multifaith, immersive, reflective storytelling.
Validity and Validation is an introduction to validity theory and to the methods used to obtain evidence for the validity of research and assessment results. The book briefly describes the philosophy of science roots of validity theory and how these philosophical perspectives influence concepts of internal and external validity in research methodology.
Collier Schorr met Paul Hameline, a young French artist and model, in New York in 2015. A friend of friend, he came to her home for a "go-see", which is when a photographer gets to see how a model looks in front of the camera. Paul's family lives in the Marais section of Paris around the corner from the hotel Collier stays at while in Paris, so they began to meet and to make a project that lasted two years in which Collier would visit Paul at his parents' house and take pictures and talk. The idea was for Paul and Collier to experience photography as a social space, a conversation in which his body and her eyes could try and understand each other's fascinations and fantasies. Many of the pictures were published in 'Re Edition' magazine. 'Paul's Book' expands that magazine story to form a larger piece about the way in which a photographer and model can search for some greater revelations with the simplest movements and various states of undress. --