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Wingbeats: Exercises & Practice in Poetry is an exciting collection from poets who teach both in and outside academia. Fifty-eight poets in various stages of their careers have contributed sixty-one exercises ranging from quick and simple to involved and multi-layered. In seven chapters, ranging from "Springboards to Imagination" to "Chancing the Accidental" to "Complicating the Poem," each exercise includes not only clear step-by-step instructions, but numerous poems that exemplify the successful completion of the exercise. Wingbeats, edited by Scott Wiggerman and David Meischen, includes exercises for working in pairs and/or groups, for incorporating research and/or the Internet, for writi...
In Sister Satellite Cathryn Cofell writes with power and a hard-earned, wide-ranging scope. As poet Oliver de la Paz writes, "the language of Cofell's debut collection shimmers in amplitudes of love." Love, yes, but hers is an engaged love that won't let us go easily. Her poems provide an answer to the politics and pressures of our times, as Cofell wrests the microphone for herself, turns up the volume and the heat and writes about women's lives and bodies in lines which are funny, bold, defiant, angry and celebratory. Married love and unvoiced lust, pregnancy, miscarriage, adoption, abortion and aging all figure into the mix. And Cofell writes her version of the truth bravely. "The only har...
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Collaborative poetry — poems written by one or more people — grew out of word games played by French surrealists in the 1920s. It was taken up a decade later by Japan’s Vou Club and then by Charles Henri Ford, who created the chainpoem, composed by poets who mailed their lines all over the world. After WW II, the Beat writers’ collaborative experiments resulted in the famous Pull My Daisy. The concept was embraced in the 1970s by feminist poets as a way to find a collective female voice. Yet, for all its rich history, virtually no collections of collaborative poetry exist. This exhilarating anthology remedies the omission. Featured are poems by two, four, even as many as 18 people in a dizzying array of forms: villanelles to ghazals, sonnets to somonkas, pantoums to haiku, even quizzes, questionnaires, and other nonliterary forms. Collaborators’ notes accompany many of the poems, giving a fascinating glimpse into the creative process.
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Rafael Català and James Anderson have prepared this concise reference that provides access to poems from a broad cross section of poetry, literary, scholarly, popular, and general magazines, journals, and reviews published in the United States, Canada, and the Caribbean. These periodicals are listed in the "Periodicals Indexed" section, together with names of editors, addresses, issues indexed in this volume, and subscription information. Selection of periodicals is the responsibility of the editors, based on recommendations of poets, librarians, literary scholars, and publishers. Publishers participate by supplying copies of all issues to the editors. Criteria for inclusion include the qua...
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