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The collection that David Trinidad fans have been anticipating for years--soulful works of tenderness, wit, and formal ingenuity.
This is the continuing story of Peyton Place in seventeen irrepressible syllables. One irreverent haiku for each weekly television episode.
Presents a collection of poems published by the author during the 1970s and 1980s, along with some previously unpublished works and a chronology that provides details about his life.
Collaborative poetry — poems written by one or more people — grew out of word games played by French surrealists in the 1920s. It was taken up a decade later by Japan’s Vou Club and then by Charles Henri Ford, who created the chainpoem, composed by poets who mailed their lines all over the world. After WW II, the Beat writers’ collaborative experiments resulted in the famous Pull My Daisy. The concept was embraced in the 1970s by feminist poets as a way to find a collective female voice. Yet, for all its rich history, virtually no collections of collaborative poetry exist. This exhilarating anthology remedies the omission. Featured are poems by two, four, even as many as 18 people in a dizzying array of forms: villanelles to ghazals, sonnets to somonkas, pantoums to haiku, even quizzes, questionnaires, and other nonliterary forms. Collaborators’ notes accompany many of the poems, giving a fascinating glimpse into the creative process.
Poetry. "In NOTES ON A PAST LIFE, David Trinidad exorcises the ghosts of New York with a compulsively readable, wrenching memoir in verse. His "Goodbye to All That" offers a critique of ambition, an ode to community, and a sip of the poison that poetry is, in the end, the antidote to." Eula Biss "David Trinidad's poems in NOTES ON A PAST LIFE are breathy and breathtaking. Forgoing traditional formal gestures, these memoir-verses burst with energy, finding their own shapes. No one writes nostalgia like Trinidad. He chronicles friendships with poets and the influence of poets who came before. He chronicles a glorious love affair and its aftermath, bad jobs, art, ambition, fame, 9/11, AIDS, dre...
The irreverent, tweetable, ludicrous, painful, wondrous work of the L.A. punk poet--widely available for the first time. In Punk Rock Is Cool for the End of the World, David Trinidad brings together a comprehensive selection of Ed Smith's work: his published books; unpublished poems; excerpts from his extensive notebooks; photos and ephemera; and his timely "cry for civilization," "Return to Lesbos" put down that gun / stop electing Presidents. Ed Smith blazed onto the Los Angeles poetry scene in the early 1980s from out of the hardcore punk scene. The charismatic, nerdy young man hit home with his funny/scary off-the-cuff-sounding poems, like "Fishing" This is a good line. / This is a bad l...
"Brings to mind Cornell, Schwitters...imbues commonplace with meaning and integrity."...Bernard Cooper
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A “soucoyant” is an evil spirit in Caribbean lore, a reminder of past transgressions that refuse to diminish with age. In this beautifully told novel that crosses borders, cultures, and generations, a young man returns home to care for his aging mother, who suffers from dementia. In his efforts to help her and by turn make amends for their past estrangement from one another, he is compelled to re-imagine his mother’s stories for her before they slip completely into darkness. In delicate, heartbreaking tones, the names for everyday things fade while at the same time a beautiful, haunted life, stained by grief, is slowly revealed. This publication meets the EPUB Accessibility requirements and it also meets the Web Content Accessibility Guidelines (WCAG-AA). It is screen-reader friendly and is accessible to persons with disabilities. A Simple book with few images, which is defined with accessible structural markup. This book contains various accessibility features such as alternative text for images, table of contents, page-list, landmark, reading order and semantic structure.