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By turns chic, romantic, sardonic, droll, seductive, and in your face, Maureen Seaton is a cornucopia of attitudes and styles, a street-smart, deeply talented woman who wryly contemplates the charades that the self and the world assume - and how hard it is to stay in focus the morning after. It gets very, very hot in Seaton's kitchen and in her poems. As this inventive and imaginative poet states, "Furious Cooking is a stew of accidents and incidents roiling across universes". Seaton creates curious and energetic juxtapositions; she revisits violence and assesses its damages. The poet/woman in the thick of this caldron instigates polarities and assumes the roles of inquisitor and heretic, perpetrator and child, painter and artifact, scientist and specimen. She careens circularly through the hypocrisies and atrocities of church and partner, established sanctioned realities, the seeming senseless death of loved ones in this life and long ago.
The French Surrealists invented a game called "Exquisite Corpse" to write collaborative poems, and thus the title of Denis Duhamel and Maureen Seaton's new collection, Exquisite Politics, hints at its collaborative nature. In poems that speak at times in a breezy, conversational style, and at other moments with taut intensity, Duhamel and Seaton probe the mysteries of relationships, personal histories, and issues of sexual and political identity.
Poetry. LGBTQIA Studies. Women's Studies. "Tender, elegiac, searing--Maureen Seaton's new collection is all of these and more. With virtuosic skill and precision, she casts line after quicksilver line to create a moving, prismatic portrait of a suicide. Along the way, we get dazzling meditations on rivers, fly fishing, wilderness, sex, violence, and death. Yet despite the dark subject matter, FISHER, to quote one of its poems, is a book 'whose pages are aflame with life.'"--Ellen Bass "'In every myth, there is a secret,' Maureen Seaton writes, leaning close to our ear, almost whispering, almost our co-conspirator in a plot to re-imagine the world. Here is FISHER, the kind of book that doesn'...
Maureen Seaton traces the emergence of her identity in quick, droll, often surprising sketches. She finds herself alternately in the company of winos, swingers, and drag kings; in love with Jesus H. Christ and a butch named Mars; in charge of two children (her own!); writing stories that shrink painfully to poems; and unable to reckon how she landed in any of these predicaments. In her passage from near-nun to suburban mom to woke woman, she shakes herself out of a sloshed stupor and delights in the spree.
A collection of new and selected poems by Maureen Seaton
THE SKY IS AN ELEPHANT is part imaginary playmate, part near-death high jinks, and part love song from the body to the soul and back again. THE SKY IS AN ELEPHANT is part imaginary playmate, part near-death high jinks, and part love song from the body to the soul and back again. "Where I once spoke flute, I now speak arpeggio, now fugue, now biopsy." It's a shaggy dog story, a story within a story, maybe even a koan. A little humor, a little Zagajewski. Finally, it's in homage to poets Jack Spicer and Federico García Lorca, who played with the greathearted gift of poetry until the day they died. And after. "Maureen Seaton's THE SKY IS AN ELEPHANT is a masterful parting song of wit, bravery,...
"Sweet World reveals a 21st-century life in the midst of an epidemic. It's not about hating, battling, or even ultimately surviving the ravages of the epidemic as much as it is an homage to a life that continues even as the illness exists within the fabirc of the body--the body, which is not victim, but vehicle for love, light, and growth. It is about a ceasefire with the disease while the soul steps up and takes the lead. Simply put, it's about the challenges and ultimate joys of one woman's life as she recreates herself in a time of breast cancer"--Inside front flap.
Short essays by women poets on mentoring women poets; includes poems by the subjects and authors.
Prose Poetry in Theory and Practice vigorously engages with the Why? and the How? of prose poetry, a form that is currently enjoying a surge in popularity. With contributions by both practitioners and academics, this volume seeks to explore how its distinctive properties guide both writer and reader, and to address why this form is so well suited to the early twenty-first century. With discussion of both classic and less well- known writers, the essays both illuminate prose poetry’s distinctive features and explore how this "outsider" form can offer a unique way of viewing and describing the uncertainties and instabilities which shape our identities and our relationships with our surroundings in the early twenty-first century. Combining insights on the theory and practice of prose poetry, Prose Poetry in Theory and Practice offers a timely and valuable contribution to the development of the form, and its appreciation amongst practitioners and scholars alike. Largely approached from a practitioner perspective, this collection provides vivid snapshots of contemporary debates within the prose poetry field while actively contributing to the poetics and craft of the form.
During Christmas 1914, in a war already famous for its horror and brutality, enemy shook hands with enemy in No Man`s Land, exchanged souvenirs, even played football. The truce between the trenches extended over at least two-thirds of the British line and there were similar cease-fires in the French and Belgian sectors. In some areas the peaceable mood lingered well into 1915. Originally published in 1984, this book is one of the finest accounts ever assembled on one of the most overlooked stories of World War I.