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C. Day Lewis (1904-1972) was one of the leading young poets of the 1930's who - along with W. H. Auden, Louis MacNeice, and Stephen Spender - broke away from the staid poetic establishment to dominate British poetry in the middle third of the century. Here, for the first time, are all the poems Day Lewis wrote, including occasional verse which has never appeared in book form and a number of poems previously published only in limited editions. The Complete Poems has been edited, with an introduction and textual notes, by Jill Balcon, the poet's widow.
How unfair', wrote one national newspaper in 1951, 'that accomplishments enough to satisfy the pride of six men should be united in Mr Day-Lewis.' Poet, translator of classical texts, novelist, detective writer (under the pen-name Nicholas Blake), performer and, at that time, Professor of Poetry at Oxford, C Day-Lewis had many careers all at once. This first authorised biography tells the private story behind the many headlines that this handsome, charming Anglo-Irish Poet Laureate generated in his lifetime. With unparalleled access to Day-Lewis's archives and the recollections of first-hand witnesses, Peter Stanford traces the link between life and art to reassess the work of a poet lauded ...
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Albert Gelpi explores in three expansive sections the major periods of the poet's development, beginning with the emergence of Day Lewis in the thirties as the most radical of the Oxford poets. An artist who sought through poetry a way of "living in time" without traditional religious assurances, Day Lewis went further than his friends in seeking to forge a revolutionary poetry out of his commitment to Marxism. When Stalinism led to his resignation from the Communist Party, Day Lewis in the forties went on to shape a rich, fiercely perceptive poetry out of the convergence of the wartime crisis with the explosive events of his own inner life, intensified by the erotics of a decade-long affair.
A collection of poetry from Cecil Day Lewis, Poet Laureate from 1968 until his death in 1972. Originally published in 1957, this collection shows how much his style had changed after having distanced himself from Auden. In 1951, he became only the second living writer (after TS Eliot) to be featured in the popular series of 'Penguin Poets' paperbacks. In his introduction, he wrote: 'Looking back over my verse of the last 20 years, I was struck by its lack of development - in the sense of one poetic phase emerging recognizably from the previous one and leading inevitably to the next: it would all be much tidier and more in accordance with critical specifications, were this not so. But my verse seems to me a series of fresh beginnings rather than a continuous line.'
This is a very rich book of poetic criticism, focusing on the role of the 'image' in poetry. A fantastic book for any poetry fan.
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