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The words surrounding music influence how we listen to it.
Off the Record is a revealing exploration of piano performing practices of the high Romantic era. Author and well-known keyboard player Neal Peres Da Costa bases his investigation on a range of early sound recordings (acoustic, piano roll and electric) that capture a generation of highly-esteemed pianists trained as far back as the mid-nineteenth-century. Placing general practices of late nineteenth-century piano performance alongside evidence of the stylistic idiosyncrasies of legendary pianists such as Carl Reinecke (1824-1910), Theodor Leschetizky (1830-1915), Camille Saint-Sa?ns (1838-1921) and Johannes Brahms (1833-1897), he examines prevalent techniques of the time--dislocation, unnota...
Lists musical facts including the bizarre, intriguing, funny, and downright insane. Topics covered include instruments, composers, music sung and played, concerts, and more.
The findings of this book are drawn from a conference held in 2013 in Kaunas, Lithuania, titled “Music and Technologies 2”, which provided a continuous discussion on the interdisciplinary music research developing currently at such important forums as the CIM (Conference on Interdisciplinary Musicology) and the ISMIR (International Society for Music Information Retrieval). This book consists of a collection of articles written by musicologists and musical performers, sound engineers, and educators from Europe and the USA. Leading contemporary ideas in the field of music technologies are explored, as are some aspects of the cognition of classical and contemporary music.
Part III and IV of Handbook of Oral History, now available in paper for classroom use.
Contains seven essays from Handbook of oral history, published in 2006.
This is a book for those interested in the most entertaining aspects of the ever fascinating subject of music. The more unusual features of this enormous field are spiced up by the less well-known facts of music and the people who make it. This is thus both a book for the general reader as well as the specialist, for some subjects are discussed here for the first time outside of the sober covers of musicological publications. The contents of this book will provide entertaining matter for the concert-goer and the record collector, facts for the seeker after musical curiosities, and much material for musical quizzes.
When a jazz hero dies, rumors, speculation, gossip, and legend can muddle the real cause of death. In this book, Frederick J. Spencer, M.D., conducts an inquest on how jazz greats lived and died pursuing their art. Forensics, medical histories, death certificates, and biographies divulge the way many musical virtuosos really died. An essential reference source, Jazz and Death strives to correct misinformation and set the story straight. Reviewing the medical records of such jazz icons as Scott Joplin, James Reese Europe, Bennie Moten, Tommy Dorsey, Billie Holiday, Charlie Parker, Wardell Gray, and Ronnie Scott, the book spans decades, styles, and causes of death. Divided into disease categor...