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The Domestic Interior and the Self in Contemporary Photography
By carefully conceptualising the domestic in relation to the self and the photographic, this book offers a unique contribution to both photography theory and criticism, and life-narrative studies. Jane Simon brings together two critical practices into a new conversation, arguing that artists who harness domestic photography can advance a more expansive understanding of the autobiographical. Exploring the idea that self-representation need not equate to self-portraiture or involve the human form, artists from around the globe are examined, including Rinko Kawauchi, Catherine Opie, Dayanita Singh, Moyra Davey, and Elina Brotherus, who maintain a personal gaze at domestic detail. By treating the representation of interiors, domestic objects, and the very practice of photographic seeing and framing as autobiographical gestures, this book reframes the relationship between interiors and exteriors, public and private, and insists on the importance of domestic interiors to understandings of the self and photography. The book will be of interest to scholars working in photographic history and theory, art history, and visual studies.
Photography
Photography is generally considered to have had its birth in 1839, when Louis-Jacques-Mandé Daguerre first revealed his photographic process to the public. Increasingly, cameras have become more automated and electronic over the years. In spite of the increasing sophistication of the equipment, however, the photographer's eye continues to be all-important. Photography remains a unique human act. This compendium focuses on the technology of photography, the camera and its parts, types of lenses, shutters and speeds, films and filters, making photographs, exposing film, lighting, darkroom techniques and processing, printing photographs, and some of the practical applications of the medium.
Louise Dahl-Wolfe
Louise Dahl-Wolfeopens a window onto the work of one of the most influential fashion photographers of the 20th century. After being discovered by Edward Steichen and having her work exhibited at The Museum of Modern Art, New York, in 1937, Dahl-Wolfe went on to revitalize the Hollywood portrait and invigorate the fashion photography of the 1930s, ’40s and ’50s. During her tenure at Harper’s Bazaar—which lasted over two decades, and during which time she worked with Diana Vreeland—Dahl-Wolfe pioneered the use of natural lighting in fashion photography, shooting on location and outdoors. Her modernist outlook changed American visual culture, influencing a school of artists—namely R...
Weaving Time 2015
A Catalogue of the third archive exhibition from the AHL Foundation's Archive of Korean Artists in America
Images Performing History
The operative role of the photographic media in making and remaking history History is increasingly made in images, not only because its records are largely photographic but also because our ideas about the past are formed in visual terms. This book offers a discussion of contemporary art practices which question the received notions of historical representations after the pivotal changes of 1989 in Europe. These art practices reveal, in different ways, the operative role of the photographic media in making and remaking history. Not limited to a particular artistic medium, they demonstrate how history is forged through enacting or re-enacting its past forms, while, on the other hand, they indicate how copying and quoting can contribute to creating a new, operative aesthetics. By foregrounding a performative character of images, art is shown to construct an alternative knowledge of the past. Among others the works of the following artists are discussed in this book: Zofia Kulik, Yael Bartana, Harun Farocki and Andrej Ujică, Luc Tuymans, Dierk Schmidt.
Perfect Intimacy
Perfect Intimacy, the product of two years work, is an experience of the cloistered world of the Carmelite nuns, and a documentation of their state of mind, relationship with God and spiritual identity. It is a continuation of Almog's ongoing attempt to explore women and their private spaces. The economy of style in Almog's photographic composition, and an emphasis on just a few pictorial components, corresponds aptly with the chaste and austere way of life in the monastery. Perfect Intimacy offers an unfettered introduction to a group of women destined to remain anonymous.
Imogen Cunningham
Text dt. u. engl.
Chaotic Harmony
"Presents the latest developments in Korean photography with a survey of works by forty leading contemporary photographers, two essays, artists' biographies, and a chronology"--Résumé de l'éditeur.
Prix Pictet
Wir feiern zu Recht menschliche Kreativität, Innovation und Unternehmertum, doch allzu oft sind unsere Erfolge in Wissenschaft und Technologie mit einem enormen Preis für unsere Umwelt und damit auch unsere Zukunft verbunden. Die menschliche Geschichte war weitaus häufiger von Konflikten und Verzweiflung als von Fürsorge, Liebe und Koexistenz geprägt – es wäre ein Leichtes, sie als eine Geschichte tragischer Hybris zu lesen. Doch die Geschichte ist hier nicht zu Ende. Wir stehen an der Schwelle zur Zukunft und fragen uns, wie die Würfel fallen werden. Wir wetten mit der Nachwelt, dass der menschliche Einfallsreichtum, die Intelligenz und Anpassungsfähigkeit stark genug sein werden, um eine ganz andere Zukunft hervorzubringen. Prix Pictet. Human zeigt über 100 herausragende Werke zeitgenössischer Fotografie von vielen der weltweit renommiertesten Fotograf*innen, die sich mit dem bewusst weitgefassten und ambivalenten Themenkomplex konzeptuell auseinandersetzen.
Horn Please
Edited by Bernhard Fibicher and Suman Gopinath.
