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Contemporary Short Stories from Central America
In "Metaphors," Samuel Rovinski (Costa Rica) shows how a writer's superficial attempt to interpret experience metaphorically cripples him in social circumstances, while, in "Gloria Wouldn't Wait," Panamanian Jaime Garcia Saucedo focuses on the egotism of the writer's imagination as it tries to convert the tragedies of everyday life into some kind of literary document whose artistic qualities would belie their actual reality." "Human - and humane - values in the face of adversity are celebrated throughout, even when seemingly futile in the midst of overwhelming odds. Contemporary Short Stories from Central America embraces every aspect of the human condition addressed by the literature of the Western world and demonstrates the cultural vitality of our Central American neighbors."--BOOK JACKET.
Cicatrices
Cicatrices offers an understanding of the current mood in Central American fiction as writers attempt to come to terms with a collapsing social, political and economic landscape dominated by forced migration, drug trafficking, corruption and the struggle to establish fully democratic societies. Writers adopt various narrative strategies to account for this in fictional form, most typically the crime novel cum critical realism and the political thriller, but also a kind of impressionist realism as well as auto-fiction and fictional testimony. Thematic unity is provided by displacement in all its guises and the inability to leave behind a problematic past that bleeds into the present scars tha...
Contemporary Central American Fiction
This book is a series of original, critical meditations on short stories and novels from Central America between 1995 and 2016. During the Cold War, literary art in Central America, as in Latin America in general, was strongly over-determined by the politics of the Cold War, which gave rise to popular struggle and three major armed civil wars in the 1970s and 1980s in Nicaragua, El Salvador and Guatemala. The period produced intense literary activity with political ideology central, personified by social denunciation in the testimonial novel and revolutionary poetry. Since then, though themes of violence are still at much of its core, Central American fiction has become more complex. We have...
And We Sold the Rain
These twenty-plus short stories by leading Central American writers, by turns unsettling, absurd, tragic, exhilarating, and mystical, introduce us to the people behind the front-page horrors . . . A Torruban Indian loses a month's pay with a bad roll of the dice . . . The beautiful young Anita hunts beetles and cockroaches . . . To up its popularity rating, a government stages the first "Miss Underdeveloped Contest" . . . After the 1954 massacres in Guatemala, children hold a funeral for a bird . . . Reflecting a wide range of styles, these stories point in new directions while evincing the particular strength and courage it takes to write in a war-torn country.
The Great Latin American Novel
The essential summary of Latin American fiction by one of the greatest Latin American writers.
Masterworks Of Latin American Short Fiction
Eight novellas by a variety of Latin American writers. One is on slavery, another on a musician, and the settings vary from Uruguay to Cuba. With background on the writers by the editor.
Contemporary Latin American Fiction
This volume will explore contemporary Latin American fiction and will focus on authors born after 1950 and works published since the mid-1990s. Authors include Chilean Roberto Bolano, Mexican Daniel Sada, and Costa Rican Ana Cristina Rossi. The volume will also deal with the presence of social media and new technology in current Latin American literature.
Writing Women in Central America
What is the relationship between history and fiction in a place with a contentious past? And of what concern is gender in the telling of stories about the past? This study explores these questions as it considers key Central American texts.
The Columbia Guide to the Latin American Novel Since 1945
In this expertly crafted, richly detailed guide, Raymond Leslie Williams explores the cultural, political, and historical events that have shaped the Latin American and Caribbean novel since the end of World War II. In addition to works originally composed in English, Williams covers novels written in Spanish, Portuguese, French, Dutch, and Haitian Creole, and traces the profound influence of modernization, revolution, and democratization on the writing of this era. Beginning in 1945, Williams introduces major trends by region, including the Caribbean and U.S. Latino novel, the Mexican and Central American novel, the Andean novel, the Southern Cone novel, and the novel of Brazil. He discusse...
Collisions with History
These collisions occurred only because of El Boom, thus making Latin America's greatest literary movement a historical phenomenon as well. Frederick M. Nunn discusses the cataclysmic view of history conveyed in Boom novels and examines the thought and self-perception of selected authors whose political activism enhanced the appeal of their works - historical and otherwise: Alejo Carpentier, Carlos Fuentes, Gabriel Garcia Marquez, and Augusto Roa Bastos; Julio Cortazar, Isabel Allende, Mario Vargas Llosa, and Darcy Ribeiro.
