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This volume addresses the widespread medieval phenomenon of transgression as both a result of and the cause for the exclusion and persecution of those who were considered different. It is widely accepted that the essence of a manuscript cannot be fully grasped without studying its marginalia. Glosses sit on the margins of the text and clarify it, adding a whole new dimension to it and becoming an inextricable part of its content. Similarly, no society can be fully understood without knowledge of what lies on its margins, for the outliers of any given culture provide us with just as much information as its alleged foundational principles. In a time when the Western world ponders building walls up against perceived threats and frightening differences, this multidisciplinary collection of essays based on original and innovative pieces of research shows that it was mostly through tearing down walls that we learned our way forward.
For Fernando Francés, Francisco Leiro?is undoubtedly one of the finest examples of how art can be synonymous with a commitment to life experience and autobiographical thought. Today?s society has adopted a passive, indifferent and egotistical position towards the misfortunes and miseries that occur across the globe. Leiro adopts a committed stance. He immerses himself in the reality of massacres, injustices, murders and rampant violence and imprints them on his sculptures where, whether we like it or not, we come face to face with the crude reality, with piles of dead people, innocent people who are beaten, workers who sweep away human remains from the ground or clean up after a disaster caused by humanity?.00Exhibition: Centro de Arte Contemporaneo, Málaga, Spain (06.10.2017-07.01.2018).
The current publication, entitled Folksonomies, sets out the contents of a selection of works I have done lately and it recounts its exhibit walkthrough, organized on the basis of two individual projects which run parallel throughout 2016. One of them relates to the works arising from my interest in Big Data and which is composed of different accounts with works in painting, mural installation and drawing. It is the project I have called Sombras_Big_Dat@. The second Project is about my activity around engraving, silk screen printing and digital printing which I have named 32 bits_memoria_grafica. The book is thus structured in two parts, starting with the Sombras_Big_Dat@ project and specifi...
After a career spanning nearly half a centuury, Paula Rego is acknowledged to be one of the leading figurative artists at work today. Drawing on literature, fairy tales, myths, religious stories and the cartoons of Walt Disney, among other sources, she creates strongly narrative works imbued with a sense of subversive mystery. Writer and curator Fiona Bradley provides a key to understanding Rego's imagery through her searching account ogf the artist's life and working practices.
A unique and multi-faceted talent, Juan Navarro Baldeweg is one of the two most highly acclaimed Spanish architects living at the start of the 21st century. Also an artist, his paintings have been exhibited at galleries and art fairs all over the world. In this text he reveals his views on art and artitecture, and presents his own paintings, photographs and drawings. Architectural projects are accompanied by sketches, plans, situation maps, axonometric drawings and photographs. It includes a commentary by J.M. Bonet, Director of the IVAM Modern Art Museum in Valencia and provides insight into Baldeweg's character and artistic career. The book was designed by Baldeweg himself.
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May 2 - June 5, 2007
The third edition of this monograph covers the complete career of Paula Rego (b.1935).
Katalog over Museo Municipal de Madrid's samling af nutidig spansk kunst