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In the second half of the twentieth century, studies in Chinese painting history have been greatly aided by several major lists of Chinese artists and their works. Published between 1956 and 1980, these lists were limited to Imperial China. The current index covers the period from 1912 to around 1980. It includes the names of approximately 3,500 traditional-style artists along with lists of their works, reproduced in some 264 monographs, books, journals, and catalogs published from the 1920s to around 1980. With a few exceptions, artists working after 1949 outside continental China are excluded. Revised Edition, 1998; first published by the Asian Studies Program, University of Oregon, 1984.
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This is the first and only book in English on modern Chinese Buddhism written by a practicing Chinese monk. Chen-hua provides a rare eyewitness account of Chinese monastic life and Buddhist practices before they were changed forever by the Communist revolution. It begins with his departure from home in northern China to study Buddhism in Kiansu and Chekiang in the south and ends with his rejoining the monastic order in Taiwan after spending several years as a draftee in the Nationalist army. Following century-old traditions of Ch'an monks, Chen-hua made prilgrimages to all the major monasteries and holy sites, and sought instruction from many famous masters. His ordination at Pao-hua; "Buddha recitation weeks" at Ling-yen; scriptural studies at T'ien-ning; and a pilgrimage to P'u-t'o, the sacred island of Kuan-yin, are some of the highlights of this candid and perceptive book. The Introduction by Chun-fang Yu places the work in a historical perspective. Notes, a glossary of Chinese terms, maps, and photos help readers who are new to the field.
The present volume is the result of a Leiden University workshop on women in imperial China by a group of international scholars. In recent years Chinese women and gender studies have attracted more and more attention, and this book is one of the first efforts to focus on major aspects of this subject. It covers a wide range of topics and disciplines, including bibliography, demography, history, legal studies, literature, history of medicine, and philosophy. Chinese Women in the Imperial Past can rightly be seen as connected with the new Brill journal "NAN NU, Men, Women and Gender in Early and Imperial China," which was founded to provide the scholarly community with a lasting forum in which the subject of Chinese women and gender can be dealt with in its own right.
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Written by a team of eminent international scholars, this book is the first to recount the history of Chinese painting over a span of some 3000 years.