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A C.H. Sisson Reader
C.H. Sisson was born in Bristol in 1914. To celebrate his centenary, this Reader includes a generous selection of his poems, translations and essays. The poems are drawn from all periods of Sisson's writing life, from the darkly satirical work of the 1950s and 1960s to the Virgilian Somerset poems to the reflective late poems in which Sisson, looking out on the landscape he cherished, sees himself standing at the last promontory of life'. The essays demonstrate the wit, precision and sheer scope of Sisson's writings on literature, culture and politics (he was a senior civil servant before retirement). The editors declare, No poet has written with anything like his intimate knowledge of the w...
On the Look-out
Spanning Whitehall to a sergeants' mess in India, commuter Sevenoaks to Hitler's Berlin, pre-war Paris to working class Bristol, this partial autobiography of C. H. Sisson will surprise enthusiasts of his poetry and essays both by its candour and its reticence. The story profiles Sisson as a student, soldier, civil servant, critic and translator. This work casts new light on the literary history of the 1930s and 1960s, when Sisson was part of the X group.
C. H. Sisson Reconsidered
This book is the first collection of essays dedicated to the work of C. H. Sisson (1915-2003), a major English poet, critic and translator. The collection aims to offer an overall guide to his work for new readers, while also encouraging established readers of one aspect (such as his well-known classical translations) to explore others. It champions in particular the quality of his original poetry. The book brings together contributions from scholars and critics working in a wide range of fields, including classical reception, translation studies and early modern literature as well as modern English poetry, and concludes with a more personal essay on Sisson’s work by Michael Schmidt, his publisher.
In Black and Gold
In Black and Goldindicates that opposed styles of poetry reveal subterranean correspondences that occasionally meet and run together. Austerity or tomfoolery are two of the many valid responses to the human condition that create the contiguous traditions that cannot help touching and reacting to each other. The poetry discussed in this book deals with the relation of individuals to strange or to familiar landscapes, and what this means to their own sense of displacement or rootedness; with the use of history as an escape from or as a challenge to an apparently failing present; and with the role of nationalism either as a refuge for angry frustration, or as a weapon against the affronting wor...
Collected Poems
When C.H. Sisson was 20, he gave up writing poems. He began once more in his 30s under the stress of war-time, stationed in India. Verse came intermittently, exiguously; the bulk of his early writing in translation ('fishing in other men's waters' he calls it), prose essays and fiction. In the 1960s his poems began to appear. The London Zoo - his first major book - was published in 1961 when the poet was 47. Since that time his place has grown secure: he is one of the few direct English heirs of the great Modernists, a poet who grounds the enormous energies of that movement in English landscapes, especially those of Somerset, and reconciles the legacies of Eliot and Pound on the one hand and of Hardy and Edward Thomas on the other. The epigraph of his 1984 Collected Poems, which this volume updates and corrects, was from John Gower: O gentile Engleterre, a toi j'escrits.
God Bless Karl Marx!
Poems deal with consciousness, sleep, knowledge, nature, death, religion, the past, conscience, satire, and language.
English Perspectives
In English Perspectives Sisson presents half a century's reflection on politics. He pursues his early concerns through decades in which he developed an unusual combination of interests. Commitment to the continuance of the English tradition is an essential part of his work as a poet, translator and critic, as well as in such book as The Spirit of British Administration with some European Comparisons and The Case of Walter Bagehot, which addressed subjects overtly political. A review of The Spirit of British Administration spoke of its 'agnosticism and empiricism', describing it as a 'brilliant attack on the theoreticians'. Sisson does not write on politics from the library or classroom but f...
Classics and Translation
D. S. Carne-Ross (1921-2010) was one of the finest critics of classical literature in English translation after Arnold. More than four decades of Carne-Ross's writings are represented in this volume, which includes criticism of both ancient and modern writers, in addition to historical-critical studies of translation, discriminating analyses of translators widely read today, and investigations in the relationship between translation, criticism, and literary creation. This book will appeal to a wide audience including classicists, specialists in reception and translation studies, students of comparative literature, and literary readers. --
Selected Poems
C. H. Sisson's Selected Poems presents a half century's work by the writer deemed "England's finest living poet" by the London Times. Sisson's poems are characterized by a mastery of speech rhythms and imagery learned from Eliot, Pound, and T. E. Hulme. Serious and highly charged, they are steeped in literary tradition (Sisson is one of the great translators of Dante, Horace, Lucretius, and Virgil), and they draw on Sisson's remarkable knowledge of history and culture. Starting with poems written on a troopship and ending on home ground in Somerset, England, Selected Poems provides a comprehensive selection of Sisson's work, including "Tristan," a sequence written in the poet's eighty-first year.
The Divine Comedy
A new blank verse translation of Dante's epic, complete with an authoritative Introduction, diagrams, maps, and notes.
