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Spanning Whitehall to a sergeants' mess in India, commuter Sevenoaks to Hitler's Berlin, pre-war Paris to working class Bristol, this partial autobiography of C. H. Sisson will surprise enthusiasts of his poetry and essays both by its candour and its reticence. The story profiles Sisson as a student, soldier, civil servant, critic and translator. This work casts new light on the literary history of the 1930s and 1960s, when Sisson was part of the X group.
C.H. Sisson was born in Bristol in 1914. To celebrate his centenary, this Reader includes a generous selection of his poems, translations and essays. The poems are drawn from all periods of Sisson's writing life, from the darkly satirical work of the 1950s and 1960s to the Virgilian Somerset poems to the reflective late poems in which Sisson, looking out on the landscape he cherished, sees himself standing at the last promontory of life'. The essays demonstrate the wit, precision and sheer scope of Sisson's writings on literature, culture and politics (he was a senior civil servant before retirement). The editors declare, No poet has written with anything like his intimate knowledge of the w...
First Published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.
In English Perspectives Sisson presents half a century's reflection on politics. He pursues his early concerns through decades in which he developed an unusual combination of interests. Commitment to the continuance of the English tradition is an essential part of his work as a poet, translator and critic, as well as in such book as The Spirit of British Administration with some European Comparisons and The Case of Walter Bagehot, which addressed subjects overtly political. A review of The Spirit of British Administration spoke of its 'agnosticism and empiricism', describing it as a 'brilliant attack on the theoreticians'. Sisson does not write on politics from the library or classroom but f...
First Published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.
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Since medieval times, English literature has often demonized Muslims. The term ‘Islamophobia’ is recent, but the phenomenon is old. This survey of literature focusing on the modern period up to 1914 identifies negative ideas about Islam in novels and plays. Some works are iconic, some more obscure. However, the book highlights writers who challenged stereotypes and tended to see Muslims as equally capable of virtue and vice as Christians and others. The book deals with the role of the imagination in depicting others and how this serves authors’ agendas. The conclusion brings the book’s thesis into dialogue with the debate in the USA today between supporters of multiculturalism and its critics. Anyone interested in how stereotypes are formed, perpetuated and can be challenged will profit from this book. It is aimed at a non-specialist readership.
'If the form of my poetry is thoroughly European, its content is thoroughly African.' Thus the author introduces this collection of some eighty of his poems written between the late 1950s and the present: from the settler period through the civil war, to independence and neo- colonialism. The poems explore the contradictions and creative possibilities of an identity that is at once native and white, European and African. The voice is varyingly satirical, confessional, outraged and affectionate. "These poems have nothing to do with white nostalgia for the colonial period. On the contrary, they circle round [the author's] attempt both to embrace a past and wean himself from it."
Dante Alighieri’s long poem The Divine Comedy has been one of the foundational texts of European literature for over 700 years. Yet many mysteries still remain about the symbolism of this richly layered literary work, which has been interpreted in many different ways over the centuries. The Unexpected Dante brings together five leading scholars who offer fresh perspectives on the meanings and reception of The Divine Comedy. Some investigate Dante’s intentions by exploring the poem’s esoteric allusions to topics ranging from musical instruments to Roman law. Others examine the poem’s long afterlife and reception in the United States, with chapters showcasing new discoveries about Nico...
Greening the Children of God uncovers the theological roots of the growing ethical imperative to reconnect children to their natural environment. In their different traditions, theologians, environmental educators and psychologists all affirm that knowing their place in the natural environment helps a child develop an intersubjective ‘ecological’ identity that nurtures virtues of mutuality and care. During the Scientific Revolution this ethical harmony was threatened as science and moral theology began to adopt different epistemological methods, something the Anglican priest and poet Thomas Traherne was all too aware of. Traherne insisted that education should promote a child’s attenti...