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"The translations preserve the dynamic, musical qualities of their oral-based originals, and are intended for both general and more specialised readers. Introductions and Select Bibliographies accompany each poem."--Jacket.
This book focuses on the best-known and most frequently taught chanson de geste ("songs of heroic deeds") from medieval France, including the Song of Roland and the Voyage of Charlemagne.
English translations of four early Old French epic poems, 'Gormont et Isembart', 'Chanson de Roland', 'Chancun de Willame' and 'Pelerinage de Charlemagne'. Includes notes on each poem and a bibliography. The author has previously published translations of 'The Song of Aspremont' and 'The Song of Aliscans'.
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This is a major reassessment of the relation between the medieval French chansons de geste and the romance genre. Critics have often dismissed the chansons de geste as coming before and being inferior to the new and distinctively literary achievement of romance. Sarah Kay draws on the most up-to-date literary and feminist theory to show that the two genres in fact existed simultaneously, engaged in a productive and revealing dialogue. Each genre, moreover, illuminates the "political unconscious" of the other: those political conflicts and contradictions--particularly issues of gender--that the text attempts to evade and disguise.
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In this collection of essays Gérard Gouiran, one of the world's leading and much-loved scholars of medieval Occitan literature, examines this literature from a primarily historical perspective. Through texts offering hitherto unexplored insights into the history and culture of medieval Europe, he studies topics such as the representation of alterity through female figures and Saracens in opposition to the ideal of the Christian knight; the ways in which the narrating of history can become resistance and propaganda discourse in the clash between the Catholic Church and the French on the one hand, and the Cathar heretics and the people of Occitania on the other; questions of intertextuality and intercultural relations; cultural representations fashioning the West in contact with the East; and Christian dissidence in the twelfth and thirteenth centuries. Written in an approachable style, the book will be of historical, literary and philological interest to scholars and students, as well as any reader curious about this hitherto little-known Occitan literature. (CS1087).
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