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This book focuses on the best-known and most frequently taught chanson de geste ("songs of heroic deeds") from medieval France, including the Song of Roland and the Voyage of Charlemagne.
"The translations preserve the dynamic, musical qualities of their oral-based originals, and are intended for both general and more specialised readers. Introductions and Select Bibliographies accompany each poem."--Jacket.
This is a major reassessment of the relation between the medieval French chansons de geste and the romance genre. Critics have often dismissed the chansons de geste as coming before and being inferior to the new and distinctively literary achievement of romance. Sarah Kay draws on the most up-to-date literary and feminist theory to show that the two genres in fact existed simultaneously, engaged in a productive and revealing dialogue. Each genre, moreover, illuminates the "political unconscious" of the other: those political conflicts and contradictions--particularly issues of gender--that the text attempts to evade and disguise.
The epic tales of medieval France, called chansons de geste, or "songs of deeds", provided the chief means of cultural and imaginative expression in the French language for over one hundred and fifty years (c.1100-1250), during one of the most significant periods of social change in the history of Western civilisation. Yet they remain largely unknown to most English-speaking readers of the twenty-first century. In Heroes of the Old French Epic (Boydell, 2005) Michael Newth translated a selection of the traditional militaristic narratives dominated by male heroes. This oral-based epic genre was increasingly influenced by the ethos of romance, and the present volumeoffers full English verse tr...
"Presents a modern edition and the first English translation, on facing pages, of "Aiol," an early thirteenth-century Old French chanson de geste. Includes extensive notes anf select bibliography"--
Represents the gleanings from some three hundred thousand verses of old French poetry, comprising nearly alll the published epics through the 13th century.
How were the Crusades, and the crusaders, narrated, described, and romanticised by the various communities that experienced or remembered them? This Companion provides a critical overview of the diverse and multilingual literary output connected with crusading over the last millennium, from the first writings which sought to understand and report on what was happening, to contemporary medievalism, in which crusading is a potent image of holy war and jihad. The chapters show the enduring legacy of the crusaders' imagery, from the chansons de geste to Walter Scott, from Charlemagne to Orlando Bloom. Whilst the crusaders' hold on Jerusalem was relatively short-lived, the desire for Jerusalem has had a long afterlife in many cultural contexts and media.