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Charles Alston
A visionary artist and an influential teacher, Charles Alston (1907?1977) helped establish the Works Progress Administration's Harlem Art Workshop and was the first African American to be named a supervisor for the WPA's Federal Art Project. Alston's early studies of African sculpture influenced the appearance of the human figure in all of his work, and his experience as an American of African descent led him to express through his painting ?the injustice, the indignity, and the hypocrisy suffered by black citizens.' Alston was the first African American instructor at both the Art Students League of New York and the Museum of Modern Art and was a professor of painting at the City University of New York. Determined to assist artists who would follow in his footsteps, he cofounded Spiral, a renowned black artists? alliance. Alston's work is in the permanent collections of many prestigious institutions, including the Metropolitan Museum of Art, the Whitney Museum of American Art, and the Butler Institute of American Art.
CHARLES ALSTON
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Encyclopedia of the Harlem Renaissance: A-J
From the music of Louis Armstrong to the portraits by Beauford Delaney, the writings of Langston Hughes to the debut of the musical Show Boat, the Harlem Renaissance is one of the most significant developments in African-American history in the twentieth century. The Encyclopedia of the Harlem Renaissance, in two-volumes and over 635 entries, is the first comprehensive compilation of information on all aspects of this creative, dynamic period. For a full list of entries, contributors, and more, visit the Encyclopedia of Harlem Renaissance website.
Encyclopedia of the Harlem Renaissance
Presents articles on the period known as the Harlem Renaissance, during which African American artists, poets, writers, thinkers, and musicians flourished in Harlem, New York.
Coming Through
Oral histories of formerly enlaved people and their families along the South Carolina coast Coming Through marks the first complete publication of these interviews with former slaves and their descendants living in the Waccamaw Neck region of South Carolina as collected by Genevieve W. Chandler as part of the WPA Federal Writers Project. Between 1936 and 1938 Chandler interviewed more than one hundred individuals in and around All Saints Parish, a portion of Horry and Georgetown counties located between the Waccamaw River and the Atlantic Ocean. Her subjects spoke freely with her on topics ranging from slave punishment to folk medicine, from conditions in the Jim Crow South to the exploits o...
Imagery of Lynching
Outside of the classroom and scholarly publications, lynching has long been a taboo subject. Nice people, it is felt, do not talk about it, and they certainly do not look at images representing the atrocity. In Imagery of Lynching, Dora Apel contests this adopted stance of ignorance. Through a careful and compelling analysis of over one hundred representations of lynching, she shows how the visual documentation of such crimes can be a central vehicle for both constructing and challenging racial hierarchies. She examines how lynching was often orchestrated explicitly for the camera and how these images circulated on postcards, but also how they eventually were appropriated by antilynching for...
The Other Side of Color
This volume presents selections from the highly-respected Cosby collection of African American art. Their introductions elaborate on their strong belief that African American families should themselves seek to preserve their cultural history and not rely on the mainstream. They also provide interesting background about how they began their collection and what owning the art has meant to them. The essay by Driskell (curator, author, and scholar) places each artist within the context of his or her era from the late 1700s to the present, and explores the historical, biographical, social, and political background of each period. Also contains biographies of the artists. Beautifully illustrated with 91 color plates and several other illustrations. Oversize: 10.25x13.25". Annotation copyrighted by Book News Inc., Portland, OR
Alumni Cantabrigienses
Detailed and comprehensive, the second volume of the Venns' directory, in six parts, includes all known alumni until 1900.
African American Art and Artists
Examines the lives and works of African American artists from the eighteenth century to the present, with biographical and critical text and illustrated examples of their work.
The London Gazette
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