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The Theatre
Vol. for 1888 includes dramatic directory for Feb.-Dec.; vol. for 1889 includes dramatic directory for Jan.-May.
The Years of O'Casey, 1921-1926
However, these contemporary accounts are frequently amplified and put into modern perspective, particularly at crucial moments such as a major production, a final production, or a death. The authors have particularly done so with writers of some importance such as Edward Martyn, William Boyle, or T.C. Murray. Since the theater of these years was especially influenced by the state of the country, the authors give considerable space to the disruptive political events of the times. Always, however, this is done from the particular vantage point of the theater and its workers, for the Irish theater vigorously reacted to and quickly assimilated the turbulent political events of the day: the raids, the reprisals, the burnings, and the murders. These 1,800 days really break into two periods. The first comprises the violence of the Black and Tan War, the exhaustion that led to the treaty, and the bitterness occasioned by the treaty that led to the culminating ferocity of the civil war.
The Gentleman's Magazine
The "Gentleman's magazine" section is a digest of selections from the weekly press; the "(Trader's) monthly intelligencer" section consists of news (foreign and domestic), vital statistics, a register of the month's new publications, and a calendar of forthcoming trade fairs.
The Bastard's Weapon
In this second novel in the Gloucester Trilogy, John Palermo battles his way through emotional and professional conflicts in this gripping tale by acclaimed author Joseph M. Orlando. Having lost his beloved wife, Connie, John struggles with life as a single father. His emotions are palpable as he wrestles with his devotion to his lost wife, duty to his children, and his burgeoning feelings for a new woman. Professionally, John takes on the case of his nemesis, Captain Joe Amalfi, who is found floating in a life raft alone in the icy Atlantic when his fishing boat sinks with his crew still aboard. Amalfi's emotional turmoil after this event is one challenge, among many, to John's struggle to ...
The Collected Poems of Laurence Whyte
Though his name might not be familiar to many twenty-first century readers, Laurence Whyte (d.1753) is an important missing link in eighteenth-century Ireland’s literary and musical histories. A rural poet who established himself in Dublin as a teacher of mathematics and as an active member (and poetic chronicler) of the much admired and supported Charitable Musical Society, Whyte was a poet of considerable talent and dexterity, and his body of work yields a wealth of insight into the intersecting cultures of his time and place. Published in 1740 and 1742, Whyte’s writing, by turns humorous and poignant, insightful and nostalgic, straddled the worlds of Gaelic and Anglo-Irish, of the rural midlands and the capital, of Catholic and Protestant. Some of the dualities explored in his verse were present, to varying extents, in the work of Jonathan Swift and Oliver Goldsmith. In matters poetical, political and cultural, Whyte is an important, though as yet neglected and unstudied, figure. This edition, comprehensively introduced and annotated, retrieves him from that neglect.
Accounts and Papers
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