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Paracritical Hinge is a collection of varied yet interrelated pieces highlighting Nathaniel Mackey’s multifaceted work as writer and critic. It embraces topics ranging from Walt Whitman’s interest in phrenology to the marginalization of African American experimental writing; from Kamau Brathwaite’s “calibanistic” language practices to Federico García Lorca’s flamenco aesthetic of duende and its continuing repercussions; from H. D.’s desert measure and coastal way of knowing to the altered spatial disposition of Miles Davis’s trumpet sound; from Robert Duncan’s serial poetics to diasporic syncretism; from the lyric poem’s present-day predicaments to gnosticism. Offering illuminating commentary on these and other artists including Amiri Baraka, Mississippi Fred McDowell, Wilson Harris, Jack Spicer, John Coltrane, Jay Wright, and Bob Kaufman, Paracritical Hinge also sheds light on Mackey’s own work as a poet, fiction writer, and editor.
In a news career spanning more than sixty years, Joseph C. Harsch was a firsthand witness to many of the great events of the twentieth century. As a reporter and columnist for the Christian Science Monitor, and as a correspondent for all three of the major networks, he became one of the most respected figures in the profession, a mentor to a generation of journalists covering international affairs. At the Hinge of History is Harsch's career autobiography. What is most striking in this deftly rendered account is Harsch's uncanny knack for being at the right place at the right time. He was a reporter in Washington when President Hoover began to grasp the magnitude of the economic crisis that b...
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