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Touch Me I'm Sick
Poised at the epicentre of an explosive underground scene, photographer Peterson witnessed the birth of a brash new era of music that grabbed the world by its throat and refused to let go. Grunge, the bastard child of '60s garage and '70s punk, revived the original gritty spirit of rock'n'roll rebellion. Featuring 91 b/w photographs, Peterson does not rely on the cult of celebrity to tell this compelling tale, rather he tells of the complicity between band and audience and captures the raw, futile and bored alienation of the music and the scene.
Touch Me, I'm Sick
Love once inspired sonnets, plays, novels, and countless romantic songs. But romance can become obsession, and nowadays, love songs are creepier than ever. Even the Police's stalker anthem "Every Breath You Take" is a popular choice at weddings and funerals. In Touch Me, I'm Sick, Tom Reynolds offers hilarious riffs on 52 love songs that have gone off the rails into the realm of the tawdry, the overwhelming, the obsessive, the self-absorbed, and the completely weird. Including songs by artists as diverse as Melissa Etheridge, Michael Jackson, Paul Anka, Sinéad O'Connor, and Slipknot, he also pillories a handful of the 1,700 different songs called "Butterfly." Praise for Tom Reynolds' I Hate...
Charles M. Russell, Legacy
He was a master painter and sculptor whose works have permeated the American scene like no other Western artist before or since. For the first time, C.M. Russell, Legacy tells the amazing story of the rise of Montana's cowboy artist to national prominence by presenting over a thousand illustrations of his published works, collectibles, and photographs.
Pearl Jam
The first official book done in association with the media-shy band that redefined the musical sound of the 1990s, Pearl Jam: Place/Date captures the raw intensity, behind-the-scenes comraderie, and devoted fan phenomenon of today's most unconventional supergroup. Having sold over 30 million albums since its triumphant 1991 debut 10, Pearl Jam brought the hard-edged, estranged and oftentimes angry sound of Seattle to the musical forefront. They pioneered a movement in music and culture that quickly became known as grunge. Imitators followed, and the band could have quickly lost touch with its fans and unpretentious ideals and become simply a money-making celebrity group. Instead, Eddie Vedde...
Probability Tales
This book explores four real-world topics through the lens of probability theory. It can be used to supplement a standard text in probability or statistics. Most elementary textbooks present the basic theory and then illustrate the ideas with some neatly packaged examples. Here the authors assume that the reader has seen, or is learning, the basic theory from another book and concentrate in some depth on the following topics: streaks, the stock market, lotteries, and fingerprints. This extended format allows the authors to present multiple approaches to problems and to pursue promising side discussions in ways that would not be possible in a book constrained to cover a fixed set of topics. To keep the main narrative accessible, the authors have placed the more technical mathematical details in appendices. The appendices can be understood by someone who has taken one or two semesters of calculus.
Cypher
Acclaimed rock photographer Charles Peterson is back with a new subject-the world of contemporary breakdancing. B-boying, as it's referred to by its adepts, centers around the "cypher" (circle) created when b-boys and b-girls gather to practice or to "battle." Bigger and badder than ever, breakdancing has grown since its beginnings in the 1970s to become a global youth phenomenon today. Yet it remains a highly individualized practice-all one needs to get down are some beats and a smooth floor (and, of course, scads of strength, style, and brio). WithCypher, Peterson takes a fresh look at this phenomenon with his own brand of fine-art documentation: part Larry Fink, part Barbara Morgan, with ...
Decolonizing the Academy
Decolonizing the Academy asserts that the academy,is perhaps the most colonized space. At the same,time the academy is a place of knowledge and,transformation. As we move into the 21st century,it is becoming clear that the academy is one of,the primary sites for the production and,reproduction of ideas that serve the interests of,colonising powers. This collection of essays,argues the possibility of re-engaging the,decolonizing process at the level of knowledge and,asserts that this is an ongoing project worthy of,being undertaken in a variety of fields.
