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Mr. Mikey's Video Views; Volume One
Mr. Mikey's Video Views started as a response to the three-line reviews found in most review guides, and the "self-serving" and exceedingly picky reviews written by most "popular critics." Mr. Mikey is a movie lover, and has fun and enjoys virtually every movie he sees. His reviews reflect this love of movies.
Frame by Frame III
An invaluable compendium for anyone interested in cinema
Encyclopedia of Television Film Directors
From live productions of the 1950s like Requiem for a Heavyweight to big budget mini-series like Band of Brothers, long-form television programs have been helmed by some of the most creative and accomplished names in directing. Encyclopedia of Television Film Directors brings attention to the directors of these productions, citing every director of stand alone long-form television programs: made for TV movies, movie-length pilots, mini-series, and feature-length anthology programs, as well as drama, comedy, and musical specials of more than 60 minutes. Each of the nearly 2,000 entries provides a brief career sketch of the director, his or her notable works, awards, and a filmography. Many entries also provide brief discussions of key shows, movies, and other productions. Appendixes include Emmy Awards, DGA Awards, and other accolades, as well as a list of anthology programs. A much-needed reference that celebrates these often-neglected artists, Encyclopedia of Television Film Directors is an indispensable resource for anyone interested in the history of the medium.
Directors Close Up 2
Since 1992, the Directors Guild of America has hosted an annual symposium featuring its nominees for outstanding feature film directing. From the first, film and television director Jeremy Kagan has moderated these sessions in which the finest contemporary directors weigh in on every aspect of the filmmaking process. In Directors Close Up, Second Edition, Kagan culled the most insightful and entertaining responses from sessions conducted between 1992 and 2005. In Directors Close Up 2, an all-new sequel, Kagan shines his spotlight on nominees from the 2006-2012 seminars as they discuss their work on some of the most brilliant films of the last several years. From script development through pr...
Spinegrinder
First came video and more recently high definition home entertainment, through to the internet with its streaming videos and not strictly legal peer-to-peer capabilities. With so many sources available, today’s fan of horror and exploitation movies isn’t necessarily educated on paths well-trodden — Universal classics, 1950s monster movies, Hammer — as once they were. They may not even be born and bred on DAWN OF THE DEAD. In fact, anyone with a bit of technical savvy (quickly becoming second nature for the born-clicking generation) may be viewing MYSTICS IN BALI and S.S. EXPERIMENT CAMP long before ever hearing of Bela Lugosi or watching a movie directed by Dario Argento. In this world, H.G. Lewis, so-called “godfather of gore,” carries the same stripes as Alfred Hitchcock, “master of suspense.” SPINEGRINDER is one man’s ambitious, exhaustive and utterly obsessive attempt to make sense of over a century of exploitation and cult cinema, of a sort that most critics won’t care to write about. One opinion; 8,000 reviews (or thereabouts.
Made in Mexico
For more than a century, directors from both sides of the border have chosen Mexico as the location to create their cinematic art, leaving an indelible imprint on the imaginations of moviegoers and filmmakers worldwide. Now, for the first time, Made in Mexico: Hollywood South of the Border presents a comprehensive examination of more than one hundred Hollywood theatrical feature films made in Mexico between 1914 and the present day. Lavishly illustrated throughout, Made in Mexico examines how Hollywood films depicted Mexico and how Mexico represented itself in relation to the films shot on location. It pulls back the curtain on how Hollywood filmmakers influenced Mexican films and Mexican fi...
When Hollywood Came to Town
For nearly a hundred years, the state of Utah has played host to scores of Hollywood films, from potboilers on lean budgets to some of the most memorable films ever made, including The Searchers, Butch Cassidy and the Sundance Kid, Footloose, and Thelma & Louise. This book gives readers the inside scoop, telling how these films were made, what happened on and off set, and more. As one Utah rancher memorably said to Hollywood moviemakers "don't take anything but pictures and don't leave anything but money."
Louis L'Amour on Film and Television
This reference work presents useful information for every known film and television episode drawn from a Louis L'Amour work. Chronologically arranged, entries include production information, cast, credits, a synopsis, a description of the L'Amour source used, and the author's commentary. A brief biography of L'Amour, numerous photographs, and an extensive bibliography complement.
Television Movies of the 21st Century
For the major broadcast networks, the heyday of made-for-TV movies was 20th Century programming like The ABC Movie of the Week and NBC Sunday Night at the Movies. But with changing economic times and the race for ratings, the networks gradually dropped made-for-TV movies while basic cable embraced the format, especially the Hallmark Channel (with its numerous Christmas-themed movies) and the Syfy Channel (with its array of shark attack movies and other things that go bump in the night). From the waning days of the broadcast networks to the influx of basic cable TV movies, this encyclopedia covers 1,370 films produced during the period 2000-2020. For each film entry, the reader is presented with an informative storyline, cast and character lists, technical credits (producer, director, writer), air dates, and networks. It covers the networks (ABC, CBS, Fox, Ion, and NBC) and such basic cable channels as ABC Family, Disney, Fox Family, Freeform, Hallmark, INSP, Lifetime, Nickelodeon, Syfy, TBS and TNT. There is also an appendix of "Announced but Never Produced" TV movies and a performer's index.
Judas Superstar
The representation of Judas gives, along ages, a good understanding of the mind of Christianism wrote KIERKEGAARD. Through the religious and political study of 121 films released from 1897 to 2020 we discover the apostle portrayed as an arch-villain but also as a tragic hero, a victim, even sanctified. Judas' fair treatment, his hagiography or his accusation is a touchstone of the theology of the movie director and of the production companies. We analyze for each film its respect for the Scriptures and qualify its message either ecumenic or anti-Semitic.
