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This genealogical study offers a fascinating glimpse into the lives of four notable families from the Scottish county of Perthshire. Charles Rogers, D.D.'s meticulous research and detailed analysis provide a rich portrait of the families' histories and legacies. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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Among those masses of cathedral sculpture which preserve so much of medieval theology, one frequently recurring group is noteworthy for its presentment of a time-honoured doctrine regarding the origin of the universe. The Almighty, in human form, sits benignly, making the sun, moon, and stars, and hanging them from the solid firmament which supports the "heaven above" and overarches the "earth beneath." The furrows of thought on the Creator's brow show that in this work he is obliged to contrive; the knotted muscles upon his arms show that he is obliged to toil; naturally, then, the sculptors and painters of the medieval and early modern period frequently represented him as the writers whose...
The battle between science and religion in American popular life is as old as America itself. By the late 19th century, it had reached a fever pitch, culminating in the two-volume 1896 work A History of the Warfare of Science with Theology in Christendom. The result of thirty years of research by historian and educator ANDREW DICKSON WHITE (1832-1918), a founder of Cornell University, this is White's attack on intellectually stifling religious dogma and his explication of the "conflict thesis" of outright warfare between science and religion. While scholars today generally see the situation as more nuanced, the conflict thesis remains a popular metaphor in the mind of the general public, and White's work continues to speak to us today. H.L. Mencken called this "one of the noblest monuments of American scholarship," and it will fascinate anyone who is troubled by the ongoing influence by religious authorities into secular science. In Volume II, White looks at the shift "from miracles to medicine," "from demonic possession to insanity," and other modern transformations of humanity's understanding of the world and ourselves.
This work is essential for anyone doing research in rock art and petroglyphs. Col. Garrick Mallery's report on the picture-writing of the American Indians is one of the most significant of all the early reports of the Bureau of Ethnology of the Smithsonian Institution. Besides a special section on petroglyphs, most of the specimens are roughly contemporary with the report's writing and were collected by ethnologists, explorers, and expeditions to reservations. The focus is on the significance of the pictures and the dissimilarities between the styles of picture-writing of the various tribes. Col. Mallery's report is the fundamental study of North American Indian picture-writing for anthropologists, sociologists, historians, or artists. Since most of the samples were collected by peers while picturing was still a vital method of communication, the ethnologists were often helped by the Indians themselves in interpreting the pictographs and uncovering the wealth of information they conveyed. The report consists of almost 1,300 pictures and 54 plates illustrating the samples which Col. Mallery describes.