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The Waxing of the Middle Ages
Johan Huizinga’s much-loved and much-contested Autumn of the Middle Ages, first published in 1919, encouraged an image of the Late French Middle Ages as a flamboyant but empty period of decline and nostalgia. Many studies, particularly literary studies, have challenged Huizinga’s perceptions of individual works or genres. Still, the vision of the Late French and Burgundian Middle Ages as a sad transitional phase between the High Middle Ages and the Renaissance persists. Yet, a series of exceptionally significant cultural developments mark the period. The Waxing of the Middle Ages sets out to provide a rich, complex, and diverse study of these developments and to reassert that late medieval France is crucial in its own right. The collection argues for an approach that views the late medieval period not as an afterthought, or a blind spot, but as a period that is key in understanding the fluidity of time, traditions, culture, and history. Each essay explores some “cultural form,” to borrow Huizinga’s expression, to expose the false divide that has dominated modern scholarship.
Ancient History
This book introduces students to the chief disciplines, methods and sources employed in 'doing' ancient history, as opposed to 'reading' it. The book: Encourages readers to engage with historical sources, rather than to be passive recipients of historical tales Gives readers a sense of the nature of evidence and its use in the reconstruction of the past Helps them to read a historical narrative with more critical appreciation Encourages them to consider the differences between their own experience of ancient sources, and the use of these objects within the everyday life of ancient society A concise bibliographical essay at the end of each chapter refers to introductions, indices, research tools and interpretations, and explains scholarly jargon Written clearly, concisely and concretely, invoking ancient illustrations and modern parallels as appropriate.
The Image and Perception of Monarchy in Medieval and Early Modern Europe
Monarchy is an enduring institution that still makes headlines today. It has always been preoccupied with image and perception, never more so than in the period covered by this volume. The collection of papers gathered here from international scholars demonstrates that monarchical image and perception went far beyond cultural, symbolic and courtly display – although these remain important – and were, in fact, always deeply concerned with the practical expression of authority, politics and power. This collection is unique in that it covers the subject from two innovative angles: it not only addresses both kings and queens together, but also both the medieval and early modern periods. Cons...
Translating the Past
In 1409 Laurent de Premierfait produced a French translation of Giovanni Boccaccio s "De casibus virorum illustrium," a fourteenth-century text containing cautionary historical tales that exemplify the corrupting effects of power. Richly illustrated copies of the translation, known as "Des cas des nobles hommes et femmes," became enormously popular, allowing for a consideration not only of how Boccaccio s Latin made its way into Laurent s French but also how the text was converted into visual images. In "Translating the Past," art historian Anne D. Hedeman traces the history of Laurent s work from the first copies made for the dukes of Berry and Burgundy to manuscripts independently produced by artists and booksellers in Paris. In certain cases, masterpieces resulted, such as the copy owned by the J. Paul Getty Museum, which was painted around 1415 by the Boucicaut Master under King Charles VII of France."
The Poetry and Paintings of the First Bible of Charles the Bald
A major artistic study of a famous medieval masterpiece
History of Universities
This text contains a mix of learned articles and book reviews. The text contains a combination of original research and invaluable reference material. Topics covered include: democratic representation and fifteenth-century crisis at the University of Paris, the iconography found in universities in the Holy Roman Empire, and university reform in Victorian Britain.
Parisian Licentiates in Theology, A.D. 1373-1500. A Biographical Register
The second volume of a two-volume biographical register of Parisian theologians licensed in theology between 1373 and 1500, this book presents biographical notices of 460 members of the secular clergy who received the licentiate at that time.
Benedictine Monks at the University of Paris
This register presents biographical information, drawn from a wide variety of sources, concerning the origins, education, and careers of 671 Benedictine monks known to have studied or taught at the University of Paris in the late Middle Ages.
Parisian Licentiates in Theology, A.D. 1373-1500. A Biographical Register
This volume presents a biographical register of 460 members of the secular clergy licensed in theology at the University of Paris between 1373 and 1500. The register is preceded by a discussion of the sources used in its preparation and a list of all the clerics--religious as well as secular--licensed in Paris between 1373 and 1500. Appended to the register is an index listing all those licensed belonging to the secular clergy arranged according to their first names and an index of those licensed arranged according to college affiliation. The register is offered in service to historians of the medieval university, as well as those interested in the professoriate of the premier theological faculty of the day.
Reappearing Characters in Nineteenth-Century French Literature
This book examines the phenomenon of the reappearance of characters in nineteenth-century French fiction. It approaches this from a hitherto unexplored perspective: that of the twin history of the aesthetic notion of originality and the legal notion of literary property. While the reappearance of characters in the works of canonical authors such as Honoré de Balzac and Émile Zola is usually seen as a device which transforms the individual works of an author into a coherent whole, this book argues that the unprecedented systematisation of the reappearance of characters in the nineteenth century has to be seen within a wider cultural, economic, and legal context. While fictional characters are seen as original creations by their authors, from a legal point of view they are considered to be ‘ideas’ which are not protected and can be appropriated by anyone. By co-examining the reappearance of characters in the work of canonical authors and their reappearances in unauthorised appropriations, such as stage adaptations and sequels, this book discusses a series of issues that have shaped our understanding of authorship, originality, and property.
