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Truth in Comedy
The 'Harold', an innovative improvisational tool, helped many actors on the road to TV and film stardom, including George Wendt (Norm on Cheers). Now it is described fully in this new book for would-be actors and comics. The 'Harold' is a form of competitive improv involving 6 or 7 players. They take a theme suggestion from the audience and 'free associate' on the theme into a series of rapid-fire one-liners that build into totally unpredictable skits with hilarious results. The 'Harold' is a fun way to 'loosen up' and learn to think quickly, build continuity, develop characterisations and sharpen humour.
The Funniest One in the Room
Nichols and May. John Belushi. Bill Murray. Chris Farley. Tina Fey. Mike Myers. Stephen Colbert. For nearly a half century, Del Close—cocreator of the Harold, director for the Second City, San Francisco's the Committee, and the ImprovOlympic, and “house metaphysician” for Saturday Night Live—influenced improvisational theater's greatest comedic talents. His students went on to found the Groundlings in Los Angeles, the Upright Citizens Brigade in both New York and Los Angeles, and the Annoyance Theatre in Chicago. But this Pied Piper of improv has gone largely unrecognized outside the close-knit comedy community. Del was never one to let the truth of his life stand in the way of a goo...
Group Improvisation
Over 40 improv games for developing group chemistry are included in this concise book, organized into sections: Bonding, Focus, Awareness, Creation, Energy, Dynamics, and more. Every group, not just improv teams, benefits from increased communication, and author Peter Gwinn reveals many secrets about how to facilitate this connection in fun and creative ways. The many improv games and exercises he presents here, appropriate for high school age or older thespians, help heighten awareness, break the ice, increase concentration, and wire brains together. Gwinn and his colleagues at the iO Theater in Chicago developed the concept of "The Group Mind" to create a synergy between team members. With this increased connection, your actors feel part of a greater entity, with a sense of excitement, belonging, and importance that takes teamwork to a new level.
Netprov
Netprov is an emerging interdisciplinary digital art form that offers a literature-based "show" of insightful, healing satire that is as deep as the novels of the past. This accessible history of Netprov emerges out of an ongoing conversation about the changing roles and power dynamics of author and reader in an age of real-time interactivity. Rob Wittig describes a literary genre in which all the world is a platform and all participants are players. Beyond serving as a history of the genre, this book includes tips and examples to help those new to the genre teach and create netprovs. "Jargon-free and ambitious in scope, Netprov meets the needs of several types of readers. Casual readers will be met with straightforward and easy-to-follow definitions and examples. Scholars will find deep wells of in- formation about networked roleplay games. Teachers and students will find instructions for how-to play, and a ready-made academic context to make their play meaningful and memorable." --Kathi Inman Berens, Portland State University
Amy Poehler
Fans of theater and comedy will enjoy this write-up of comedian Amy Poehler, as it shows her growing up and being the cut-up in a relatively calm middle-class family, attending college as a communications major, and then joining the Chicago improv scene. The book goes on to describe Poehler’s stint on Saturday Night Live, her friendship with Tina Fey, and her intention to do more producing and directing. The book also notes that Poehler actively supports girls around the globe with her organization Smart Girls.
Whiteface
This study originates in the observation that improv comedy or improvised theater has such a vast majority of white people practicing it, while other improvisational or comedic art forms (jazz, freestyle rap, stand up) are historically grounded in and marked as Black cultural production. What it is about improv that makes it such a white space? Can an absence be an object of study? If so, what is there to study? Where should one look?
Training Using Drama
The use of training techniques originally developed for theatre and improvisation within the workplace has increased enormously in recent years, and the proven effectiveness of this approach has found many enthusiastic followers. Sometimes, actors are brought into an organization to act as catalysts within a training/role-play setting, but, increasingly, trainers themselves are using the techniques. Written by an expert in the field, drawing on her substantial experience in business, training and acting, this practical guide shows clearly how anyone can make use of these techniques easily and effectively. With information on the theories and principles behind using drama in training, this book also includes the details of 50 activities and shows how to use a diverse range of techniques to improve creativity, leadership, teamwork and personal development. Training Using Drama covers the key issues, including: storytelling; role-plays; coaching; non-verbal communication; spontaneity; trust and awareness.
Keith Johnstone
Keith Johnstone entered the Royal Court Theatre as a new playwright in 1956: a decade later he emerged as a groundbreaking director and teacher of improvisation. His decisive book Impro (1979), described Johnstone's unique system of training: weaving together theories and techniques to encourage spontaneous, collaborative creation using the intuition and imagination of the actors. Johnstone has since become world-renowned, inspiring theatre greats and beginners alike; and his work continues to influence practice within and beyond the traditional theatre. Theresa Robbins Dudeck is the first author to rigorously examine Johnstone's life and career using a combination of archival documents – many from Johnstone's personal collection – participant observation, and interviews with Johnstone, his colleagues and former students. Keith Johnstone: A Critical Biography is a fascinating journey through the physical spaces that have served as Johnstone's transformative classrooms, and into the conceptual spaces which inform his radical pedagogy and approach to artistic work.
Shattering Hamlet's Mirror
Exploring the historical antecedents and mimetic dimensions of "Theater of the Real"
Whose Improv Is It Anyway?
On both sides of the stage improv-comedy's popularity has increased exponentially throughout the 1980s and '90s and into the new millennium. Presto! An original song is created out of thin air. With nothing but a suggestion from the audience, daring young improvisers working without a net or a script create hilarious characters, sketches, and songs. Thrilled by the danger, the immediacy, and the virtuosity of improv-comedy, spectators laugh and cheer. American improv-comedy burst onto the scene in the 1950s with Chicago's the Compass Players (best known for the brilliant comedy duo Mike Nichols and Elaine May) and the Second City, which launched the careers of many popular comedians, includi...
