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"As a historian, Charnvit Kasetsiri is not satisfied simply to have found an instructive angle from which to explore the mysteries in a modern experimental monarchy. His keen sense of time has filled his narrative with insights that only a few people could have identified. To me, that is a mark of one with a fine sense of what the past can mean. I thank him for the chance to see this mature and thoughtful Charnvit at work and commend this book to everyone who wants to understand Thailand better." -- Wang Gungwu, National University of Singapore "Charnvit makes clear in the final pages of Thailand: A Struggle for the Nation that he is not very sanguine about the country's future. During Thail...
Laos's emergence as a modern nation-state in the 20th century owed much to a complex interplay of internal and external forces. Arguing that the historiography of Laos needs to be understood in this wider context, this study considers how the Lao have written their own nationalist and revolutionary history "on the inside," while others-the French, Vietnamese, and Thais-have attempted to write the history of Laos "from the outside" for their own political ends. As nationalist historiography, like the formation of the nation-state, does not emerge within a nationalist vacuum but rather is created and contested from inside and out, this incisive volume's approach has applications and implications far beyond Laos.
Many Westerners assume that freedom has been bypassed in Asia, given the often brutal suppression of demands for its extension in some Asian countries, and its more tentative status in others where desire for social order is dominant. This book argues that Western ideas of freedom have become widely accepted in Asia, and the key determinant for measuring a range of legal, ethical and political practices. The book finds that modern conceptions of freedom throughout Asia are rooted in local histories, institutions and practices, becoming adapted to local contexts. The book avoids cultural relativism and blanket generalisations, but does find a number of common ideas relating to freedom across the region. A prestigious group of contributors explores freedom from historical, religious, political and ideological perspectives, acknowledging the many variations in the theme of human liberation.
A varied set of essays from some of the scholars whose work has been shaped by Professor Anderson. The topics range from literature to jihad.
Thailand's monarchy and military have dominated the narrative of the country's modern history, and their leadership is often accepted as evidence of a cultural preference for authoritarianism. Despite a long history of military coups that have upended the course of the country's democracy, however, Thailand's democratic history is a vital though largely ignored aspect of modern Thai society. Based on extensive archival research, Amnesia delves into the social and political beginnings of Thai democracy and explains how a bloodless revolution against the monarchy in 1932 introduced a constitutional democracy and ignited enduring hopes for a fairer society and a more representative government. The "People's Party," a small group of commoners who staged the revolution in the name of democracy, found an enthusiastic audience for their bold populist rhetoric among wide swathes of society. In Amnesia, Arjun Subrahmanyan illustrates how the idealism of the first decade of Thai democracy, now largely forgotten, still shapes Thai society.
This book analyses a group of Buddhist sculptures from ancient Southeast Asia, putting them into their historical, religious, and artistic context and then traces their relationship with art from India and elsewhere in Southeast Asia.
Using Jit Poumisak's The Real Face of Thai Feudalism Today (1957), Reynolds both rewrites Thai history and critiques relevant historiography. Discussing imperialism, feudalism, and the nature of power, Reynolds argues that comparisons between European and Thai premodern societies reveal Thai social formations to be "historical, contingent, and temporally bounded."
The ancient Indian epic poem Ramayana has been disseminated throughout large tracts of Southeast Asia since the 9th century. Versions of the epic poem have come to adopt and reflect the unique characteristics of the countries and regions where it has gained cultural currency. The epic has been a source of popular themes in both traditional and contemporary art forms, including literature, performing arts, fine arts, and films. This book showcases Ramayana theater as a platform where the multiple meanings and senses of values are negotiated. It focuses on the relationships between the cultural representation and the various meanings of Ramayana theater, as well as other dramatic art forms. Fo...
The making of modern Thailand is grounded in specific political institutions, Brahmanical tropes, and sacred Buddhist traditions stylized with Hindu rituals. Over and above these mysterious practices and ancient customs, modern Thailand is a product of the late Great Rama IX Bhumibol Adulyadej. Most Thai people have only known one King. Born in Europe and educated during World War II, Bhumibol was the son of a Harvard medical doctor who had a penchant for jazz music and fast cars. When he returned to Thailand in 1951 to assume his royal duties, he could hardly speak Thai but his French and German were remarkable. Bhumibol had inherited an impoverished country with nothing but a symbolic role...
Addressing questions such as, how should historians treat the earlier pasts of each country and the nationalism that guided the nation-building tasks, this book tries to put them not only in the perspective of Southeast Asian developments of the past five decades, but also the larger areas of historiography.