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In The Road to Jamaica, which was announced over forty years ago, but suppressed, Cheney- Coker looks at a particular period of African history; the tragic, outward voyages of people and other social variants that have been part of what he calls his Afro-Saxon narrative. Crucially, the volume is divided into two sections: the first being a look at the shock of displacement, but also the remembrance of identifiable modes in the formation of a new cultural perspective. Looking back at remembered landscape, languages and cultural comforts, the poet has attempted to recreate as chapter of history that changed his and other people's idea of identity. The long poems that usher in Part 2 of the volume are, in a sense, reflections on that evolving template about our small world: the happenstances of regeneration, while at the same time an attempt to come to terms with the realities that societies, the world over, are bound to the inevitability of change. Given the smallness of that world, the oneness of our humanity, and the quiet personal awareness of aging, Cheney-Coker has, as usual, focused his lenses on them.
This anthology examines the writings of Sierra Leone writer Sly Cheney-Coker.
Winner of the 1991 Commonwealth Writers' Prize. Syl Cheney-Coker's acclaimed debut novel, The Last Harmattan of Alusine Dunbar traces the history of a nation's rise and fall, as prophesied by an ancient sorcerer. A military general sits in one of Malagueta's prison cells, awaiting his execution. He has just failed to overthrow the government. In the same land, over two centuries ago, the wife of a formerly enslaved man takes her first steps towards freedom. From the creation of Malagueta to its devastating fall, Alusine Dunbar, the wizened old diviner, has prophesied it all. And what he sees, he calls a tragedy. One of Sierra Leone's most renowned novelists and poets, Sly Cheney-Coker creates a world teeming with magical realism as he paints the journey from precolonial Africa to its shaky independence.
How can we talk about World Literature if we do not actually examine the world as a whole? Research on World Literature commonly focuses on the dynamics of a western center and a southern periphery, ignoring the fact that numerous literary relationships exist beyond these established constellations of thinking and reading within the Global South. Re-Mapping World Literature suggests a different approach that aims to investigate new navigational tools that extend beyond the known poles and meridians of current literary maps. Using the example of Latin American literatures, this study provides innovative insights into the literary modeling of shared historical experiences, epistemological cros...
The debate over the concept of world literature, which has been taking place with renewed intensity over the last twenty years, is tightly bound up with the issues of global interconnectedness in a polycentric world. Most recently, critiques of globalization-related conceptualizations, in particular, have made themselves heard: to what extent is the concept of world literature too closely connected with the political and economic dynamics of globalization? Such questions cannot be answered simply through theoretical debate. The material side of the production of world literature must therefore be more strongly integrated into the conversation than it has been. Using the example of Latin American literatures, this volume demonstrates the concrete construction processes of world literature. To that purpose, archival materials have been analyzed here: notes, travel reports, and correspondence between publishers and authors. The Latin American examples provide particularly rich information about the processes of institutionalization in the Western world, as well as new perspectives for a contemporary mapping of world literature beyond the established dynamics of canonization.
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Scientific Essay from the year 2016 in the subject English Language and Literature Studies - Literature, Comenius University in Bratislava (Englische Literatur), language: English, abstract: This book is basically a going back to the roots of female writing at the beginning of the 20th century. Although female characters by then had found a fixed place within the English speaking novel most of them represented the classical role of women within class ridden British society where women basically speaking had an inferior role to men, culturally, socially and academically. The early beginnings of female writing in the sense of a more feminist approach can be set before and after the First World...
Spectres from the Past: The "History" of Slavery in West African and African-American Narratives examines the merit of the claim that West African writers, in comparison to African-Americans authors, deliberately expunge the history of slavery from literary narratives. The book explores slavery in contemporary West African and African-American literature by looking at the politics of history and memory. It interrogates notions of History and memory by considering the possibility that shared traumas, such as West African and African-American experiences of slavery, can be remembered and historicised differently, according to critical factors such as socio-economic realities, cultural beliefs and familial traditions. At the heart of the book are compelling and new readings of slavery in six literary narratives that draws on cultural philosophies, musicology and linguistics to demonstrate diverse and unusual ways that Black writers in West Africa and North America write about slavery in literature.