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Ruth Perry describes the eighteenth-century transformation of the English family as a function of major social changes. She uses social history, literary analysis and anthropological kinship theory to examine texts by Austen, Richardson, Burney, and many others. This important study will be of interest to social and literary historians.
In this innovative analysis of canonical British novels, Campbell identifies a new literary device—the surrogate family—as a signal of cultural anxieties about young women’s changing relationship to matrimony across the long eighteenth century. By assembling chosen families rather than families of origin, Campbell convincingly argues, female protagonists in these works compensate for weak family ties, explore the world and themselves, prepare for idealized marriages, or sidestep marriage altogether. Tracing the evolution of this rich convention from the female characters in Defoe’s and Richardson’s fiction who are allowed some autonomy in choosing spouses, to the more explicitly feminist work of Haywood and Burney, in which connections between protagonists and their surrogate sisters and mothers can substitute for marriage itself, this book makes an ambitious intervention by upending a traditional trope—the model of the hierarchal family—ultimately offering a new lens through which to regard these familiar works.
For a number of years scholars who are concerned with issues of poverty and the poor have turned away from the study of charity and poor relief, in order to search for a view of the life of the poor from the point of view of the poor themselves. Great studies have been conducted using a variety of records, resulting in seminal works that have enriched our understanding of pauper experiences and the influence and impact of poverty on societies. If we return our gaze to ’charity’ with the benefit of those studies' questions, approaches, sources and findings, what might we see differently about how charity was experienced as a concept and in practice, at both community and personal levels? ...
The Nature of Creative Development presents a new understanding of the basis of creativity. Describing patterns of development seen in creative individuals, the author shows how creativity grows out of distinctive interests that often form years before one makes his/her main conributions. The book is filled with case studies that analyze creative developments across a wide range of fields. The individuals examined range from Virginia Woolf and Albert Einstein to Thomas Edison and Ray Kroc. The text also considers contemporary creatives interviewed by the author. Feinstein provides a useful framework for those engaged in creative work or in managing such individuals. This text will help the reader understand the nature of creativity, including the difficulties that one may encounter in working creatively and ways to overcome them.
The first book-length study of Horace Walpole’s scandalous The Mysterious Mother, including critical essays, an abridged script, and a facsimile edition Horace Walpole’s five-act tragedy The Mysterious Mother (1768), a sensational tale of incest and intrigue, was initially circulated only among the author’s friends. Walpole never permitted it to be performed during his lifetime except as a private theatrical. He described his play as a “delicious entertainment for the closet” and claimed that he “did not think it would do for the stage.” Yet the essays in this volume trace a history of private readings, amateur theatricals, and even early public performances, demonstrating that...
If the Renaissance was the Golden Age of English comedy, the Restoration was the Silver. These comedies are full of tricksters attempting to gain estates, the emblem and the reality of power in late feudal England. The tricksters appear in a number of guises, such as heroines landing their men, younger brothers seeking estates, or Cavaliers threatened with dispossession. The hybrid nature of these plays has long posed problems for critics, and few studies have attempted to deal with their diversity in a comprehensive way. Now one of the leading scholars of Restoration drama offers a cultural history of the period's comedy that puts the plays in perspective and reveals the ideological functio...
In 1859, a mob of sixty-five prominent armed men rode into Berea, Kentucky, and forced the closure of its integrated one-room schoolhouse. Founded by Kentucky-born abolitionist John Gregg Fee, the school was open to anyone, regardless of their race or gender—a notion that horrified white supremacists. The mob evicted thirty-six community members, including Fee's family, but Fee and the others returned to Berea in 1864 and reestablished the institution, still committed to educating Appalachia's most vulnerable populations. In Lessons from the Foothills, Gretchen Dykstra profiles modern Berea College with its rich and beloved history. This book is the first to focus on contemporary Berea and...
The first of its kind, this collection brings together writers from diverse academic and nonacademic worlds to explore how Austen's readers experience and process her novels' erotic power.Are Jane Austen's novels sexy? For many Austen lovers, the answer is a resounding "Yes!" From the moment Colin Firth stripped down to his breeches and shirt in the 1995 BBC Pride and Prejudice, screen adaptations inspired by Austen's novels have banked on their ability to depict sexual tension and romantic desire. Meanwhile, the success of spin-offs, sequels, and elaborations confirms that Austen's novels have become a potent aphrodisiac for everyday readers. Clearly, the fourteen million viewers who watche...
Examines the shared cultural genealogy of popular Victorian novels and judicial opinions of the Privy Council.
Inside one of New England's most infamous murders