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In Writing Home: The 'New Irish' Poets, more than 50 poets from all over the world explore the many meanings and connotations of the word 'home'. Hailing from places as diverse as India and Italy, Poland and Pakistan, Canada and the Democratic Republic of the Congo - as well as the US, the UK and Ireland itself - together they present an updated picture of a changing country while, at the same time, expanding the very definition of 'writing from Ireland'. The poems gathered here are as various and lively as we might hope for. Some contributors might be said to 'write home' in the traditional sense, describing and explaining what they find in the place they now live; for others 'writing home' is a determined, creative act of self-definition. For all of them there is the real sense that writing is itself a kind of home-building, not least at a time when so many borders, physical and psychological, are under threat of closure across the world.
The #1 Irish Times bestseller An anthology of the very best Irish short stories, selected by Sinéad Gleeson, author of Constellations. There have been many anthologies of the short story as it developed in Ireland, but never a collection like this. The Art of the Glimpse is a radical revision of the canon of the Irish story, uniting classic works with neglected writers and marginalised voices – women, LGBT writers, Traveller folk-tales, neglected 19th-century authors and the first wave of 'new Irish' writers from all over the world now making a life in Ireland. Sinéad Gleeson brings together stories that range from the most sublime realism to the downright bizarre and transgressive, some...
A Black teacher searches for himself across the United States in this “emotive, brave” (Daily Mail, London) story for all of us who have fantasized about escaping our daily lives and starting over. Michael Kabongo is a British Congolese teacher living in London and living the dream: he’s beloved by his students, popular with his coworkers, and adored by his proud mother who emigrated from the Congo to the UK in search of a better life. But when he suffers a devastating loss, his life is thrown into a tailspin. As he struggles to find a way forward, memories of his fathers’ violent death, the weight of refugeehood, and an increasing sense of dread threaten everything he’s worked so ...
Where, the Mile End is the debut collection by Irish poet Julie Morrissy. The book employs an energetic lyric that follows the speaker through cities in Europe, the US, and Canada, introducing a deft awareness of image, rhythm, and poetic realisation. A subtle vulnerability lurks in Morrissy's lyrical sensibility as she engages themes of transition and development in many forms, tracking patterns of emotional, physical, and geographical change. This is poetry with an edge, brimful of excitement, humour and curiosity. Morrissy builds an intimate world, linking the vitality of two continents, and tightly holding the reader to the snow, the streets, and the sensual memories embroidered throughout this collection. Where, the Mile End suggests a new way of being in the world, somewhere between the places we inhabit, the moments we remember, and the things we long for.
This expanded volume of the distinguished poet's work contains 29 previously uncollected poems, some that had been published, and some found in manuscript after MacLeish's death in 1982. This is the definitive volume produced by a life that filled several careers as writer, teacher, and public servant, but was devoted above all to poetry.
This volume reflects on the pressing questions for Irish literary studies now. Contributors challenge assumptions within the field, seek to displace the canon, and define alternative paths. The collection reflects on where we have come from and the development of Irish studies both in the Irish University Review and internationally.
This Selected Poems gathers together work published between 1991 and 2016 from collections that have been lauded, awarded and widely translated, collections that have gained a large audience and a considerable reputation, nationally and internationally, for one of Ireland's foremost poets and most distinctive voices. A great deal has changed in the world in the arc of time covered by these poems, and those changes are noted and considered by poems that are remarkable for their clear-eyed witness. Meehan's devotion to, and mastery of, her craft, has always been one of the key signatures of her work, as has been her immersion in her beloved native Dublin. In her Selected Poems we see this and more -- her uncompromising engagement with the politics of gender and class, her love of the natural world and her grief at what threatens it, her holistic and visionary impulse to bless the creation, to be grateful for her place in it.
A TLS, FINANCIAL TIMES, NEW STATESMAN, GUARDIAN, OBSERVER AND WHITE REVIEW BOOK OF THE YEAR FINALIST FOR THE 2021 ANDREW CARNEGIE MEDAL FOR EXCELLENCE IN NONFICTION From award-winning writer Claudia Rankine, the stunning follow-up to Citizen and Don't Let Me Be Lonely 'Riveting' Bernardine Evaristo, TLS (Books of the Year) 'Brilliant' Gary Younge, New Statesman (Books of the Year) 'Timely and powerful' Fatima Bhutto, Financial Times 'One of our time's most incisive, brilliant and necessary intellectuals' Seán Hewitt, Irish Times 'Ranking is a writer of genius' Jeremy Noel-Tod, Sunday Times At home and in government, contemporary America finds itself riven by a culture war in which aggressio...
Frank, fearless letters from poets of all colors, genders, classes about the material conditions under which their art is made.