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In an authoritative look at how the nearly 1,000 annual hours of television programming for childern are shaped, Schneider provides a strong and detailed examination of this subject. Besides giving a well-illustrated history of the growth of childern's television, Schneider focuses on how the programs affect and communicate with childern and how advertisers and television producers use such knowledge. Schneider deals with the role of television in American society, marketing on television, and child development. ISBN 0-8442-3146-0: $29.95.
Children's television is undergoing rapid change. New streaming services like Netflix and YouTube compete with established players like the BBC and Disney. Using interviews with leading screen industry figures, the book examines how practices, funding and production in children's television are adapting to TV's distribution revolution.11 b/w illus.
This volume presents an analysis of the children's television community--the organizations, major players, and approaches to programming--and offers an overview of the history, current state, and future of children's TV. The Children’s Television Community is highly informative for educators, industry professionals, and practitioners in media, developmental psychology, and education.
This book discusses key controversies in the public sphere about children's relationship with the media, especially television drama.
This review of the findings of Swedish research on children, television, and radio provides summaries of studies conducted over approximately 15 years in four different chapters: children's television viewing and radio listening, how children are influenced by television, children and foreign television programs, and disadvantaged children and TV/radio. Comments on the proposals made by a Swedish government Commission on broadcasting in a 1977 report, which are provided at the end of each relevant research summary, include alternative conclusions and proposals. The extensive bibliography provided includes many items in English as well as Swedish. (MER)
This history of children's television describes its development since the earliest days when Muffin the Mule made his first appearance in 1946. It tells how many of the best-loved and most successful programmes originated, and writes about the people behind the scenes and in front - the producers, animators, presenters, actors and actresses. Among the many types of programmes discussed are puppets (from Sooty and Tingha and Tucker in the Fifties, to today's favourites), pre-school programmes such as Playschool and Rainbow, storytelling (especially the long-running Jackanory), drama, information programmes such as Blue Peter, and Saturday-morning programmes and entertainment.