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From its earliest days as little more than a series of monophonic outbursts to its current-day scores that can rival major symphonic film scores, video game music has gone through its own particular set of stylistic and functional metamorphoses while both borrowing and recontextualizing the earlier models from which it borrows. With topics ranging from early classics like Donkey Kong and Super Mario Bros. to more recent hits like Plants vs. Zombies, the eleven essays in Music in Video Games draw on the scholarly fields of musicology and music theory, film theory, and game studies, to investigate the history, function, style, and conventions of video game music.
A wide-ranging survey of video game music creation, practice, perception and analysis - clear, authoritative and up-to-date.
Anthology of the poetry of poetrySPARK, a part of the SPARKcon creative festival in Raleigh, NC, held in September 2009. Illustrated and designed by the superb young artist/graphic designer, Katie Nordt, and edited by Cal Nordt, this attractive volume is an expression of the strong growth of poetry in The Triangle area of NC, a state with perhaps the strongest living history of both avant garde and traditional literature in the US. The 2009 poetrySPARK Anthology includes the best poems of 26 poets who read at the event, which was the largest Raleigh poetry event in memory, with over 60 poets reading in two days. Included are some of the top poets in NC and some with excellent national reputations in almost all genres and forms of poetry. It is diverse, meaningful, and a very good read for both the well-versed and newcomers to this literary art.
The poems in this collection are meditations on the natural world, written from the perspective of what Li-Young Lee has aptly termed "a passionate interiority." The history and geography of the American West inspire many of the poems' investigations of the environment and the role of the individual in relation to that environment. In Cecily Parks's landscape made strange by human consciousness, being lost is a requirement, though not a guarantee, of being found.
This book explores jazz as a cultural lodestone and source of critical inquiry for over a century.
Contributors argue that the key to innovative teaching and scholarship lies in institutional support for the contingent labor force, and they encourage contingent faculty to organize self-mentoring groups, create venues for learning/disseminating their experiences and findings, and connect scholarship to service and teaching in novel ways.
In this collection about life as a twentysomething in the twenty–first century, Kathleen Rooney writes with the finesse of someone well beyond her years, but with fresh insights that reveal a girl still making discoveries at every turn. Varied and original, the tales in For You, For You I Am Trilling These Songs recount the perils of falling in love with the unlikeliest of people, of visiting the New York apartments of a vanished poet, and of touring an animal retirement home with her parents. Of getting a Brazilian wax, and of chauffeuring a U.S. senator around town. Of saying good–bye to a cousin who's joining a convent, and of trying to convince herself that she's not wasting her life. This is a book about love and longing, poetry and plagiarism, death and democracy, mountain floods and Midwestern cicadas. Here is a young woman struggling to find her place as an adult and a citizen in an America that rarely manages to live up to Whitman's dream of it. With this book, Rooney sings—yes, in fact, she trills—loud and clear.
Improvising Across Abilities: Pauline Oliveros and the Adaptive Use Musical Instrument (AUMI) brings together scholars, musicians, and family members of people with disabilities to collectively recount years of personal experiences, research, and perspectives on the societal and community impact of inclusive musical improvisation. One of the lesser-known projects of composer, improviser, and humanitarian, Pauline Oliveros (1932–2016), the AUMI was designed as a liberating and affordable alternative to the constraints of instruments created only for normative bodies, thus opening a doorway for people of all ages, genders, abilities, races, and socioeconomic backgrounds to access artistic pr...
In this new collection of poems, Lisk delights in the transparency and obliquity of language. Invested with a “jocoserious” sensibility, he explores the borders of language and the ways it defines identity—the quotidian language of everyday life hovering on the edge of forgetfulness.
Rabaka explores funk as a distinct multiform of music, aesthetics, politics, social vision, and cultural rebellion that has been remixed and continues to influence contemporary Black popular music and Black popular culture, especially rap music and the Hip Hop Movement. The Funk Movement was a sub-movement within the larger Black Power Movement and its artistic arm, the Black Arts Movement. Moreover, the Funk Movement was also a sub-movement within the Black Women’s Liberation Movement between the late 1960s and late 1970s, where women’s funk, especially Chaka Khan and Betty Davis’s funk, was understood to be a form of “Black musical feminism” that was as integral to the movement a...