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Exorcising Our Demons
This collection of fascinating essays explores the relationship between humanism and magic, the intersection of religious ritual, orthodoxy and power, and the links between witchcraft, sexuality and savagery in the visual culture of Europe in the fifteenth and sixteenth centuries.
German Paintings in the Metropolitan Museum of Art, 1350-1600
Paintings by Renaissance masters Lucas Cranach the Elder, Albrecht Durer, and Hans Holbein the Younger are among the works featured in this lavish volume, the first to comprehensively study the largest collection of early German paintings in America. These works, created in the 14th through 16th centuries in the region that comprises present-day Germany, Austria, and Switzerland, include religious images - such as "Virgin and Child with Saint Anne" by Durer and the double-sided altarpiece "The Dormition of the Virgin" by Hans Schaufelein - as well as remarkable portraits by Holbein and the iconic "Judgment of Paris" by Cranach. In all, more than 70 works are thoroughly discussed and analyzed, making this volume an incomparable resource for the study of this rich artistic period.
The Grand Medieval Bestiary (Dragonet Edition)
Now in an affordable edition, a splendid pageant of the animal kingdom as the Middle Ages saw it As the 587 colorful images in this magnificent volume reveal, animals were a constant—and delightful—presence in illuminated manuscripts throughout the Middle Ages. They were illustrated not only in bestiaries—the compendiums of animal fact and fable that were exceedingly popular in the twelfth and thirteenth centuries—but in every sort of manuscript, sacred and profane, from the Gospels to the Romance of the Rose. This book is arranged in manner of a proper bestiary, with essays on the medieval lore and iconography of one hundred creatures alphabetized by their Latin names, from the alauda, or lark, whose morning song was thought to be a hymn to Creation, to the vultur, whose taste for carrion made it a symbol of the sinner who indulges in worldly pleasures. The selection includes a number of creatures that would now be considered fantastic, including the griffin, the manticore, and of course the fabled unicorn.
The Oxford History of Christian Worship
A comprehensive history of the origins and development of Christian worship, from ancient times to the present day, provides a defintive study of the evolution of Christian liturgy, theology, church history, artistic influence, and social and cultural contexts, covering such topics as Russian Orthodoxy, Women in Worship, Liturgical Music, and the Apostolic Tradition.
The Wandering Throne of Solomon
In The Wandering Throne of Solomon: Objects and Tales of Kingship in the Medieval Mediterranean Allegra Iafrate analyzes the circulation of artifacts and literary traditions related to king Solomon, particularly among Christians, Jews and Muslims, from the 10th to the 13th century. The author shows how written sources and objects of striking visual impact interact and describes the efforts to match the literary echoes of past wonders with new mirabilia. Using the throne of Solomon as a case-study, she evokes a context where Jewish rabbis, Byzantine rulers, Muslim ambassadors, Christian sovereigns and bishops all seem to share a common imagery in art, technology and kingship.
Transformations of Time and Temporality in Medieval and Renaissance Art
Although studies of specific time concepts, expressed in Renaissance philosophy and literature, have not been lacking, few art-historians have endeavored to meet the challenge in the visual arts. This book presents a multifaceted picture of the dynamic concepts of time and temporality in medieval and Renaissance art, adopted in speculative, ecclesiastical, socio-political, propagandist, moralistic, and poetic contexts. It has been assumed that time was conceived in a different way by those living in the Renaissance as compared to their medieval predecessors. Changing perceptions of time, an increasingly secular approach, the sense of self-determination rooted in the practical use and control of time, and the perception of time as a threat to human existence and achievements are demonstrated through artistic media. Chapters dealing with time in classical and medieval philosophy and art are followed by studies that focus on innovative aspects of Renaissance iconography.
A Faith Worth Teaching
For 450 years, churches throughout the world have been using the Heidelberg Catechism (1563) to instruct God’s people in foundational Christian doctrine. When Elector Frederick III (1515–1576) commissioned the preparation of a manual for instructing the youth and guiding the pastors and teachers of his domain, he could not have imagined the profound effect it would have on future generations of Christians. The most widely used, most influential Reformation catechism, the “Heidelberger” shines forth the blessed truths of the gospel in 129 questions and answers, beginning with the memorable, ever-enduring subject of our “only comfort in life and in death.” In A Faith Worth Teaching...
Devotional Portraiture and Spiritual Experience in Early Netherlandish Painting
an interpretation of early Netherlandish paintings with devotional portraits according to which many of these images act as visualisation of the spiritual process of the sitters.
Reports of Cases Argued and Determined in the Supreme Court of Judicature of the State of Indiana
"With tables of the cases and principal matters" (varies).
