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This book undertakes a critical survey of art history across Europe, examining the recent conceptual and methodological concerns informing the discipline as well as the political, social and ideological factors that have shaped its development in specific national contexts.
If you have tattoos, who owns the rights to the imagery inked on your body? What about the photos you just shared on Instagram? And what if you are an artist, responding to the surrounding landscape of preexisting cultural forms? Most people go about their days without thinking much about intellectual property, but it shapes all aspects of contemporary life. It is a constantly moving target, articulated through a web of laws that are different from country to country, sometimes contradictory, often contested. Some protections are necessary—not only to benefit creators and inventors but also to support activities that contribute to the culture at large—yet overly broad ownership rights st...
The body has always had the potential to unsettle us with its strange exigencies and suppurations, its demands and desires, and thus throughout the ages, it has continued to be a subject of interest and obsession. This collection of twelve peer-reviewed essays on Jacques Lacan and Michel Foucault interrogates the body in all of its beauty...and with all of its blights and blemishes. Written by a diverse body of scholars--art historians, cultural theorists, English professors, philosophers, psychoanalysts, and sociologists from North America and Europe--these essays bring into conversation two intellectual giants frequently seen as antagonists, and thus rarely seen together. Topics covered include: the intersections of Foucault and Lacan and how they bring to light new thoughts on the senses, the self-destructive body, ableism and disability in Guillermo del Toro's film The Shape of Water, body image and the ego, selfie-culture, and metamorphosis in Ottessa Moshfegh's novel My Year of Rest and Relaxation, among others.
The Matter of Mimesis offers a rich and interdisciplinary perspective on how and why we use materials to copy, from the human body to the entire cosmos, from prehistory to the present day.
Artists, collectors, and art professionals discuss the nature and conservation of contemporary art.
'Conservation: Principles, Dilemmas, and Uncomfortable Truths' presents multi-perspective critical analyses of the ethics and principles that guide the conservation of works of art and design, archaeological artefacts, buildings, monuments, and heritage sites on behalf of society. Contributors from the fields of philosophy, sociology, history, art and design history, museology, conservation, architecture, and planning and public policy address a wide range of conservation principles, practices, and theories from the US, Canada, Europe, Australia and New Zealand, encouraging the reader to make comparisons across subjects and disciplines. By wrestling with and offering ways of disentangling th...
From a writer praised for her "fresh, original voice" (New York Times Book Review) and "hypnotic" prose (Junot Díaz) comes a captivating novel about two museum guards in London for whom life and art begin to overtake one another in unsettling and surreal ways. Marie's job as a guard at the National Gallery offers her the life she always wanted, one of invisibility and quiet contemplation. But amid the hushed corridors of the Gallery surge currents of history and violence, paintings whose power belies their own fragility. There also lingers the legacy of her great-grandfather Ted, the museum guard who slipped and fell moments before reaching the suffragette Mary Richardson as she took a blade to one of the gallery's masterpieces on the eve of the First World War. After nine years there, Marie begins to feel the tug of restlessness. A decisive change comes in the form of a winter trip to Paris, where, with the arrival of an uninvited guest and an unexpected encounter, her carefully contained world is torn open. Asunder is a rich, resonant novel of beguiling depths and beautiful strangeness, exploring the delicate balance between creation and destruction, control and surrender.
Contemporary art can seem chaotic: sometimes it made of weird things, sometimes it just comprises ideas. Sherri Irvin shows that, despite these unruly appearances, making rules is a key part of what many contemporary artists do: they use rules to create distinctive meanings and to provide powerful immersive experiences.
An exploration of transformations in the nature of the art object and artistic authorship in the last four decades. In this book, Martha Buskirk addresses the interesting fact that since the early 1960s, almost anything can and has been called art. Among other practices, contemporary artists have employed mass-produced elements, impermanent materials, and appropriated imagery, have incorporated performance and video, and have created works through instructions carried out by others. Furthermore, works of art that lack traditional signs of authenticity or permanence have been embraced by institutions long devoted to the original and the permanent. Buskirk begins with questions of authorship r...
This is an indispensible volume for creators, curators, and conservators of installation art. Installation art is an evolving, often ephemeral medium that defies rigid categorization. It has also radically transformed the concepts of space, time, and the experience of art. The conservation field is faced with unique challenges over how best to manage and preserve the essence of these works. How detailed can documentation get? When does the replacement of original components become acceptable? How does the field cope with the obsolescence of certain technologies? By exploring the questions and dilemmas facing those who care for art installations, this book intends to raise awareness and promote discussion about the various conservation approaches for these works.