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New Worlds and the Italian Renaissance
This volume aims to assess the longstanding debate over the role played by the Italian Renaissance in shaping the modern Western worldview.
Platonism
Platonism, Ficino to Foucault explores some key chapters in the history Platonic philosophy from the revival of Plato in the fifteenth century to the new reading of Platonic dialogues promoted by the so-called ‘Critique of Modernity’.
Dante, Columbus and the Prophetic Tradition
The first part of this study explores the extent to which Dante’s Divine Comedy contributed to Christopher Columbus’s perception of the cosmos and the eschatological meaning of his journey to what he called an ‘other world.’ The second considers how Italian writers and artists of the late Renaissance and Counter Reformation received the news of the ‘discovery’ and the extent to which they used the figure of Dante and the pseudo-prophecy of the Commedia to interpret its significance.
Extraterrestrials in the Catholic Imagination
What do scientists know about the possibility of life outside our solar system? How does Catholic science fiction imagine such worlds? What are the implications for Catholic thought? This collection brings together leading scientists, philosophers, theologians, and science fiction authors in the Catholic tradition to examine these issues. In the first section, Christian scientists detail the latest scientific findings regarding the possibility of life on exoplanets. The second part brings together leading Catholic science fiction authors who describe how “alien” life forms have been prevalent in the Catholic imagination from the Middle Ages right up to the present day. In the final section, Catholic philosophers and theologians examine the implications of discovering intelligent life elsewhere in the universe. Rather than worrying that the discovery of intelligent extraterrestrials might threaten the dignity of humans or their existence, the contributors here maintain that such creatures should be welcomed as fellow creatures of God and potential subjects of divine salvation.
A Short History of Florence and the Florentine Republic
The innovative city culture of Florence was the crucible within which Renaissance ideas first caught fire. With its soaring cathedral dome and its classically-inspired palaces and piazzas, it is perhaps the finest single expression of a society that is still at its heart an urban one. For, as Brian Jeffrey Maxson reveals, it is above all the city-state – the walled commune which became the chief driver of European commerce, culture, banking and art – that is medieval Italy's enduring legacy to the present. Charting the transition of Florence from an obscure Guelph republic to a regional superpower in which the glittering court of Lorenzo the Magnificent became the pride and envy of the continent, the author authoritatively discusses a city that looked to the past for ideas even as it articulated a novel creativity. Uncovering passionate dispute and intrigue, Maxson sheds fresh light too on seminal events like the fiery end of oratorical firebrand Savonarola and Giuliano de' Medici's brutal murder by the rival Pazzi family. This book shows why Florence, harbinger and heartland of the Renaissance, is and has always been unique.
Francesco Robortello (1516-1567)
This book explores the intellectual world of Francesco Robortello, one of the most prominent scholars of the Italian Renaissance. From poetics to rhetoric, philology to history, topics to ethics, Robortello revolutionised the field of humanities through innovative interpretations of ancient texts and with a genius that was architectural in scope. He was highly esteemed by his contemporaries for his acute wit, but also envied and disparaged for his many qualities. In comparison with other humanists of his time such as Carlo Sigonio and Pier Vettori, Robortello had a deeply philosophical vein, one that made him unique not only to Italy, but to Europe more generally. Robortello’s role in refo...
The New World in Early Modern Italy, 1492-1750
This volume considers Italy's history and examines how Italians became fascinated with the New World in the early modern period.
The Cinema of Ermanno Olmi
Ermanno Olmi is one of cinema's great, unsung filmmakers. Emerging onto the Italian art film scene just as the last canonical neo-realist movies were released in the late 1950s and early 1960s, several of Olmi's films, including Il Posto (1961), The Tree of Wooden Clogs (1978) and The Legend of the Holy Drinker (1988), won top prizes at Cannes and Venice. However, the majority of his work has remained unappreciated. This, the first English language book on Olmi, explores the director's style and evolving environmentalism, from his early, institutional short films, made while working at an Italian energy company, to his 19 feature films.
Virtue Politics
Winner of the Helen and Howard Marraro Prize A Times Literary Supplement Book of the Year “Perhaps the greatest study ever written of Renaissance political thought.” —Jeffrey Collins, Times Literary Supplement “Magisterial...Hankins shows that the humanists’ obsession with character explains their surprising indifference to particular forms of government. If rulers lacked authentic virtue, they believed, it did not matter what institutions framed their power.” —Wall Street Journal “Puts the politics back into humanism in an extraordinarily deep and far-reaching way...For generations to come, all who write about the political thought of Italian humanism will have to refer to i...
New Worlds and the Italian Renaissance
This volume aims to assess the longstanding debate over the role played by the Italian Renaissance in the history of European intellectual culture. The authors engage in an interpretative conversation with thinkers such as Jacob Burckardt, Ernst Cassirer, Eugenio Garin, Paul Oskar Kristeller, whose works have influenced critical discourse on modernity and Renaissance Humanism over the last one hundred and fifty years. The studies presented in this collection contribute to this discussion from a variety of perspectives: scientific, theological, political, and literary. The result is a multifaceted illumination of the intellectual history of the Italian Renaissance.
