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Traditional leadership is a factor that has been long overlooked in evaluations of rural local government in much of contemporary Sub-Saharan Africa -- this volume addresses it head-on. Case studies drawn from Ghana, South Africa, Botswana, Lesotho, and Commonwealth countries in West, East, and Southern Africa, as well as Jamaica are included. An interdisciplinary and intercontinental collection that addresses this gap in dialogue about African politics. The book brings new perspectives on the integration, or reconciliation, of traditional leadership with democratic systems of local government.
Ethiopian and Eritrean Pentecostalism and the Habesha church in Rome -- Breaking with the past, healing history -- Conclusion -- References -- 7 "I went out into the street ... and now I am fighting for my life.": Street children, witchcraft accusations, and the collapse of the household in Bangui (Central African Republic) -- A history of oppression and dispossession -- The streets of Bangui -- Witchcraft violence:Children, adults and religious leaders in the streets of Bangui -- Etiological crisis and the collapse of the household -- Conclusion: The dialectic of enclosure and freedom -- References -- 8 Fields of experience: In between healing and harming. On conversation between Dogon healers and sorcerers -- Healing powers, sacrifice and sorcery on the Dogon plateau -- Archives of disorder, secret and rebellion -- To accuse, to heal, to envision -- Epistemological debris and 'hierarchies of credibility'. Conclusions -- References -- Index
"Why do people die and where do they go when they are dead? How should the dead be buried and mourned in order to ensure that they continue to work for the benefit of the living? How have perceptions and experiences of death and the ends of life changed over the centuries? In My Time of Dying considers these questions from the perspective of African history. In what is the first history of death in Africa, John Parker examines mortuary culture and the ongoing relationship between the living and the dead over a four-hundred year period. Focusing anecdotally on West Africa but with a comparative awareness of comparable practices throughout the continent, Parker highlights how Africans developed the world's most vibrant and recognizable cultures of death"--
This book provides comprehensive insights into the concept of gender in an international context. By focusing on diverse and varied critical approaches, it explores how gender identities are shaped by socio-cultural factors, and provides a map of how gender experiences are understood and represented in the arts and society. Through an analysis of both focal and local experiences of gender within a global context, the contributions to this volume create a continuum in which gender and experience stand at a crossroads within the arts. Moreover, this crossroads intersects with the cultural determinations that some of the contributors explore in a critical way. Consequently, this volume represen...
Since the turn of the millennium, in Ghana and in other African countries, there has been a vociferous debate over the history and present condition of the family. The debate has largely fragmented the Ghanaian constituency into two nearly intransigent camps: those who think the indigenous family system should experience cultural osmosis to accommodate the seismic Western cultural revolutions and the overwhelming religious constituency who advocate the retention of conservative family system. This book is a contribution to the debate. Written by an African Studies academic, it seeks to use the resources of both the social sciences and religion to assess the merits of the various parties to t...
Offering a wealth of perspectives on African modern and Modernist art from the mid-nineteenth century to the present, this new Companion features essays by African, European, and North American authors who assess the work of individual artists as well as exploring broader themes such as discoveries of new technologies and globalization. A pioneering continent-based assessment of modern art and modernity across Africa Includes original and previously unpublished fieldwork-based material Features new and complex theoretical arguments about the nature of modernity and Modernism Addresses a widely acknowledged gap in the literature on African Art
Written by an international team of experts, this is the first work of its kind to offer comprehensive coverage of folklore throughout the African continent. Over 300 entries provide in-depth examinations of individual African countries, ethnic groups, religious practices, artistic genres, and numerous other concepts related to folklore. Featuring original field photographs, a comprehensive index, and thorough cross-references, African Folklore: An Encyclopedia is an indispensable resource for any library's folklore or African studies collection. Also includes seven maps.
Des femmes écrivent l'Afrique est un projet de reconstruction culturelle qui a pour objectif de donner à entendre, de par le monde, des voix jusque là méconnues de femmes d'Afrique qui se sont élevées au cours des siècles. Par la publication d'une série d'anthologies régionales, ce projet s'attache à rendre compte de diverses formes d'expression " littéraire " propres aux femmes d'Afrique. Chaque volume met en lumière une variété de textes représentatifs qui, oraux ou scripturaux à leur origine, présentent une valeur à la fois historique et littéraire. Ce premier volume de la série à paraître en français propose en lecture 132 textes issus de l'Afrique de l'Ouest et du...
Ce premier volume d'une série à paraître en français propose en lecture 132 textes issus de l'Afrique de l'Ouest et du Sahel-des récits, des contes, des chants, des panégyriques, des lettres, des extraits de mémoires, des documents d'archives, des interviews, des poèmes, des extraits de romans et de pièces de théatre. L'anthologie comprend des textes de l'époque des grands empires africains du Soudan occidental, de la période coloniale, de l'ère des indépendances et enfin de l'époque contemporaine. Vingt langues et douze pays sont représentés.