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This original book enters the undeveloped territory of feminist metaphysics and offers a bold and unusual contribution to debates about identity, essence and self. Using a diverse range of theories - from Kant to chaos theory, from Kierkegaard to Deleuze, Irigaray, Butler and Oliver Sachs - this book challenges the assumption that metaphysics can remain unchanged by issues of sexual difference.
Christine Battersby is a leading thinker in the field of philosophy, gender studies and visual and literary aesthetics. In this important new work, she undertakes an exploration of the nature of the sublime, one of the most important topics in contemporary debates about modernity, politics and art. Through a compelling examination of terror, transcendence and the ‘other’ in key European philosophers and writers, Battersby articulates a radical ‘female sublime’. A central feature of The Sublime, Terror and Human Difference is its engagement with recent debates around ‘9/11’, race and Islam. Battersby shows how, since the eighteenth century, the pleasures of the sublime have been d...
First Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
This volume challenges current theories of gender, the feminine, and the female and is essential reading for students of gender and feminist theory, philosophy and visual culture.
Seminar paper from the year 2010 in the subject Philosophy - Practical (Ethics, Aesthetics, Culture, Nature, Right, ...), grade: 1,0, University of Vienna (Philosophie), course: Feministische Ästhetik, language: English, abstract: In the following paper I am going to present Christine Battersby’s text Gender and Genius, her methodes and goals, occuring critics and problems. The main problem is the question: Do we need the concept of a female genius? After Battersby’s historical research about the concept of the male genius in history (especially in the history of art and literature) she points out, that she wants to invent a new concept of genius. After her demonstration that genius had...
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Womens Liberation and the Sublime is a passionate report on the state of feminist thinking and practice after the linguistic turn. A critical assessment of masculinist notions of the sublime in modern and postmodern accounts grounds the author's positive and constructive recuperation of sublime experience in a feminist voice.
Since the 1980s the number of women regularly directing films has increased significantly in most Western countries; in France, Claire Denis and Catherine Breillat have joined Agnès Varda in gaining international renown, while British directors Lynne Ramsay and Andrea Arnold have forged award-winning careers in feature film. This new volume in the “Thinking Cinema” series draws on feminist philosophers and theorists from Simone de Beauvoir on to offer readings of a range of the most important and memorable of these films from the 1990s and 2000s, focusing as it does so on how the films convey women's lives and identities. Mainstream entertainment cinema traditionally distorts the repres...
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