Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Surrealism and the Art of Crime
Corpses mark surrealism's path through the twentieth century, providing material evidence of the violence in modern life. Though the shifting group of poets, artists, and critics who made up the surrealist movement were witness to total war, revolutionary violence, and mass killing, it was the tawdry reality of everyday crime that fascinated them. Jonathan P. Eburne shows us how this focus reveals the relationship between aesthetics and politics in the thought and artwork of the surrealists and establishes their movement as a useful platform for addressing the contemporary problem of violence, both individual and political. In a book strikingly illustrated with surrealist artworks and their ...
The B Word
Often disguised in public discourse by terms like "gay," "homoerotic," "homosocial," or "queer," bisexuality is strangely absent from queer studies and virtually untreated in film and media criticism. Maria San Filippo aims to explore the central role bisexuality plays in contemporary screen culture, establishing its importance in representation, marketing, and spectatorship. By examining a variety of media genres including art cinema, sexploitation cinema and vampire films, "bromances," and series television, San Filippo discovers "missed moments" where bisexual readings of these texts reveal a more malleable notion of subjectivity and eroticism. San Filippo's work moves beyond the subject of heteronormativity and responds to "compulsory monosexuality," where it's not necessarily a couple's gender that is at issue, but rather that an individual chooses one or the other. The B Word transcends dominant relational formation (gay, straight, or otherwise) and brings a discursive voice to the field of queer and film studies.
Women Make Horror
Winner of the the 2021 Best Edited Collection Award from BAFTSS Winner of the 2021 British Fantasy Award in Best Non-Fiction Finalist for the 2020 Bram Stoker Award® for Superior Achievement in Non-Fiction Runner-Up for Book of the Year in the 19th Annual Rondo Halton Classic Horror Awards “But women were never out there making horror films, that’s why they are not written about – you can’t include what doesn’t exist.” “Women are just not that interested in making horror films.” This is what you get when you are a woman working in horror, whether as a writer, academic, festival programmer, or filmmaker. These assumptions are based on decades of flawed scholarly, cri...
American Horror Film
Creatively spent and politically irrelevant, the American horror film is a mere ghost of its former self—or so goes the old saw from fans and scholars alike. Taking on this undeserved reputation, the contributors to this collection provide a comprehensive look at a decade of cinematic production, covering a wide variety of material from the last ten years with a clear critical eye. Individual essays profile the work of up-and-coming director Alexandre Aja and reassess William Malone’s much-maligned Feardotcom in the light of the torture debate at the end of President George W. Bush’s administration. Other essays look at the economic, social, and formal aspects of the genre; the globali...
Gertrude Stein's Surrealist Years
Examineshow surrealism enriches our understanding of Stein’s writing through its poetics of oppositions Gertrude Stein’s Surrealist Years brings to life Stein’s surrealist sensibilities and personal values borne from her WWII anxieties, not least of which originated in a dread of anti-Semitism. Stein’s earlier works such as Tender Buttons and Lucy Church Amiably tend to prioritize formal innovations over narrative-building and overt political motifs. However, Ery Shin argues that Stein’s later works engage more with storytelling and life-writing in startling ways—most emphatically and poignantly through the surrealist lens. Beginning with The Autobiography of Alice B. Toklas and ...
Ghost Words and Invisible Giants
In Ghost Words and Invisible Giants, Lheisa Dustin engages psychoanalytic theory to describe the “language of suffering” of iconic modernist authors H.D. and Djuna Barnes, tracing disconnection, psychic splitting, and virulent thought patterns in creative works that have usually been read as intentionally enigmatic. Dustin imbricates Barnes and H.D.’s sense of tenuous psychic boundaries with others – parent figures, otherworldly and divine beings, and ambivalent or malignant love objects – in their creative brilliance, suggesting that the writers’ works stage – and also help manage – their psychic suffering in language in which signifier (the sound or image of the word) and s...
After Lacan
This book explores the phases of Jacques Lacan's career and examines the past, present, and future of psychoanalysis.
Woodcarving Illustrated Issue 52 Fall 2010
In this Issue: FEATURES: The Whittling Whimsy of Walt Garrison by Kathleen Ryan Gifts for Carvers Tom Wolfe: Woodcarver of the Year by Bob Duncan PROJECTS: Carving a Pierced Relief Tree by MaAnna Stephenson Making a Carved Jack-O-Lantern by Sandy Smith Carving an Oak Leaf Bowl by Chris Pye Carving a Private Investigator by Dennis Thornton Carving a Woodspirit in Cottonwood Bark by Edward Otto Power Carve a Canvasback Duck by Chuck Solomon and Dave Hamilton Handcarving a Realistic Squirrel by Leah Goddard Relief Carve an Autumn Scene by Bob Biermann Making Maple Leaf Pins by John Hoesman Miniature Scarecrow Ornament by Gerald Smith Shelf Sitter Elf by Floyd Rhadigan TECHNIQUES: Embellishing with Basswood Inlays by David Stewart Sawing Carving Blanks by Jim Willis DEPARTMENTS: Editor's Letter From Our Mailbag News and Notes Tips and Techniques Reader Gallery Calendar of Events Coming Features Ad Directory Woodchips
Lesbianism, Cinema, Space
This book notes that stories of lesbianism invariably engage with an apartment setting, a spatial motif not typically associated with lesbian history or cultural representation. Through the formal analysis of five lesbian apartment films, Wallace demonstrates how the standard repertoire of visual techniques and spatial devices are used to scaffold female sexual visibility.
A Genealogy and History of the Kauffman-Coffman Families of North America, 1584 to 1937
Andrew (Andreas) Kauffman (d.1743) migrated from Switzerland to the Palatinate of Germany, and then immigrated via Rotterdam to Philadelphia in 1717. He married twice and settled in Lancaster County, Pennsylvania. Descendants lived in Pennsylvania, Virginia, West Virginia, Ohio, Indiana and elsewhere. Includes " ... miscellaneous lines of Kauffmans scattered throughout the country ... "
